Dürer: Artist-BiographiesSweetser, M. F. (Moses Foster)
History
Dürer: Artist-Biographies
Sweetser, M. F. (Moses Foster)
Dürer, Albrecht, 1471-1528
The free imperial city of Nuremberg, in the heart of Franconia, was
one of the chief centres of the active life of the Middle Ages, and
shared with Augsburg the great trans-continental traffic between
Venice and the Levant and Northern Europe. Its municipal liberties
were jealously guarded by venerable guilds and by eminent magistrates
drawn from the families of the merchant-princes, forming a government
somewhat similar to the Venetian Council. The profits of a commercial
prosperity second only to that of the Italian ports had greatly
enriched the thrifty burghers, aided by the busy manufacturing
establishments which made the city "the Birmingham of the Middle
Ages." Public and private munificence exerted itself in the erection
and adornment of new and splendid buildings; and the preparation of
works of art and utility was stimulated on all sides. It was the era
of the discovery of America, the revival of classic learning, and the
growth of free thought in matters pertaining to religion. So far had
the inventions of the artisans contributed to the comfort of the
people, that Pope Pius II. said that "A Nuremberg citizen is better
lodged than the King of Scots;" and so widely were they exported to
foreign realms, that the proud proverb arose that
"Nuremberg's hand
Goes through every land."
Nuremberg still stands, a vast mediæval relic, in the midst of
the whirl and activity of modern Germany, rich and thriving, but
almost unchanged in its antique beauty. The narrow streets in which
Dürer walked are flanked, as then, by quaint gable-roofed houses,
timber-fronted, with mullioned windows and arching portals. In the
faded and venerable palaces of the fifteenth century live the
descendants of the old patrician families, cherishing the memories and
archives of the past; and the stately Gothic churches are still rich
in religious architecture, and in angular old Byzantine pictures and
delicate German carvings. On the hill the castle rears its ponderous
ramparts, which have stood for immemorial ages; and the high towers
along the city walls have not yet bowed their brave crests to the
spirit of the century of boulevards and railroads.
Public-domain text, read in full here on John Shaqi.
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