On a pane of glass which a malign finger is suspected to have touched, a fine black powder gives vivid and beautiful results, the sooty matter clinging to and revealing the oily surface of the lineations in very full detail. In my article in _Nature_ of 1880 a sooty imprint is shown to have helped an innocent man to establish his innocence, but in this case the imprint was quite direct. The powder should be gently blown over, or dusted lightly on to the greasy impression, with a soft camel hair brush which is perfectly clean and dry. Care should be taken not to breathe on the glass, or a damp, smeary effect may result. I have not found sable brushes act so well as those made of camel hair, a fact which their structure under the microscope helps to explain. (See frontispiece.) The best treatment of a greasy smudge on a dark ground, say the surface of a japanned cash-box, marble slab, school slate, or enamelled door panel, is carefully to dust over the object with a fine white powder, such as the ordinary tooth-powder of the chemists, or still better, as I find, with the light carbonate of magnesia. In one sense this may be said to yield a _negative_ print, but an important qualification arises. The patterns now in white are the ridges which before were black, while the furrows remain dark as at first. In a smoked glass print the white ridges have not imparted something to the glass, but have simply removed the carbonaceous deposit previously there. Practically, however, the whitened ridges have the quality of a negative imprint, as previously described.[D] [D] See _Guide to Finger-Print Identification_ (fig. 12) Greasy finger-marks may also be acted on chemically, so as to bring out details by the application of osmic acid. If there is any olein or oleic acid in the mark, as there generally is in human finger-marks, the acid deepens the tone of the almost invisible lines into a brownish hue, revealing all their richness of detail. I have succeeded in etching finger-marks of this kind on glass by means of hydro-fluoric acid. They remain quite indelible in all their details so long as the glass itself endures. The patterns thus etched can be very well brought into view by painting a dark background on the reverse, or pasting dark paper behind. There is a clear layer of the skin in both palms and soles, the fat of which is eleidin. That particular kind of fat does not stain with osmic acid in the usual way. The sweat of palms and soles is not supposed to contain any fat at all, but there would seem to be some faint trace of it in sweat. The greasy surface of the skin as a rule comes from the sebaceous glands, as previously described. When clean palms leave a greasy smear, as they often do, I think the greasiness must generally come by transmission from other parts of the body, or from contact with foreign greasy substances, which are common enough.