“Many of them had the mark which indicates that they had drank the blood of an enemy. This mark is made by rubbing the hand all over with vermilion, and by laying it on the mouth it leaves a complete impression on the face, which is designed to resemble and indicate a bloody hand.”--[_Travels in the Interior of America_ (1817).] The ancient bloody hand of Ulster is well known, and other examples occur which might be quoted. Some “prehistoric pottery” was found last autumn at Avebury, North Wilts, of which I have not seen full particulars. In a press paragraph, however, it is stated that its chief interest “centres in the fact that it is ornamented on both faces--the impressions of twisted grass (or cord) and finger-nails being clearly defined.” It is temporarily classified as a type of pottery associated with long barrows and neolithic pits. My own attention was first directed to the patterns in finger-prints, as they occurred impressed on sun-baked pottery which I found in the numerous shell-heaps dotted around the great Bay of Yedo. The subject was quite unknown to me till then, in the seventies. No pottery has yet been found which belongs to the early stone stage of man’s culture. But with evidence of the use of fire, and of the manufacture of polished stone weapons, fragments of rude hand-moulded pottery--sun-baked or fire-burned--begin to be associated. Sometimes these are quite clearly seen to be moulded with the aid of human fingers, the nails only making a clear mark, but in other cases the finger furrows are prominently indented in regular patterns, which cannot, I think, be distinguished from those made by men of our own race and time. In the formal Japanese ceremony of social tea-drinking, or _Cha-no-yu_, pottery of this Archaic kind, with finger patterns indented in the clay, is highly esteemed. In an article on this kind of pottery by Mr. Charles Holme, in _The Studio_ (February, 1909), one example is described thus: “It is modelled in a brown clay entirely by hand, without the aid of a potter’s wheel. The impressions of the fingers made in shaping the bowl are carefully retained,” etc. Not till Celtic times in Europe is there evidence of the use of the potter’s wheel. I am surprised to find how very little attention has yet been given to finger imprints on early pottery. My own opportunities for observation have in late years been severely limited, but I have seldom had a peep at ancient potsherds without discovering some few traces of the kind of impressions, accidental or designed, which I have described. I have not had early Teutonic pottery specially under observation, but Professor G. Baldwin Brown, who is an accomplished authority in that department, wrote me thus:--