Historical fiction; Soldiers -- Fiction; United States -- History -- Civil War, 1861-1865 -- Fiction
XXV. The Three Comrades 218
XXVI. The Iron Chess-Game 226
XXVII. A Stern Chase 237
XXVIII. Check and Countercheck 248
XXIX. The End of the Fight 260
XXX. Battle Jimmie, Courier 266
XXXI. Jimmie and the Generals 273
XXXII. Love 283
XXXIII. War! 290
XXXIV. The Man at Washington 297
“DAD”
CHAPTER I
THE INTERRUPTION
Across the plaza, under the white sun-glare, marched and countermarched
the crack regiment’s bronzed men in their heavy high caps and the rest
of the odd regimentals of the late Forties.
From walls and roofs hung a myriad of more or less soiled American
flags. On the plaza band stand a group of Mexican musicians were
wrestling with “Columbia, the Gem of the Ocean.”
This last feature of the celebration was a bit of tragic irony
attributed to no less a humorist than the arch-victor, the hero of the
day--Major-General Winfield Scott. The native musicians were in no wise
loath, on patriotic grounds, to play “Columbia, the Gem of the Ocean.”
They were professional performers. One tune meant as much, and as
little, to them as another.
They had not the faintest notion that they were playing a national air
of their nation’s conquerors. The pained looks on their simian little
faces and the sad havoc they wrought upon a noble melody were due
solely to the fact that the tune was new to them, unlike anything they
had ever before heard; and that they had had insufficient time to
rehearse it.
But the effect was there.
At the first halting notes, a grin of wondering delight twisted the
faces of the marching regiment. The episode appealed to their Yankee
humor. The grin was reflected on the visages of the crowd of officers
and civilians who filled the dais at the plaza’s northern end.
The onlooking Mexicans--from peon to hidalgo--who fringed the square’s
edges, listened in stark apathy. Most of them were ignorant of the air’s
import. To them it was but a gringo melody; far inferior to “La Paloma.”
The few who recognized it showed no resentment. To their Spanish-Indian
minds it was but natural that the victors should thus crow.
They themselves were beaten; hopelessly beaten. They and their country.
They were glad enough to get off as easily as they seemed like to.
A little vaunting--the playing of their new masters’ national song--was
nothing to what they would have done had the conditions been reversed.
Public-domain text, read in full here on John Shaqi.
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