England -- Social life and customs -- Fiction; Guardian and ward -- Fiction; Orphans -- Fiction
But even as it was, I suffered--and justly--from my sin as well as from
my sorrow; and most unhappily I brooded over both unsuspected. Cornelius
had detected my jealousy, treated it as a jest, and forgotten it; Kate
had, I believe, vaguely conjectured its existence, but I was little with
her and on my guard; the only one who really knew what I suffered and why
I suffered, was the one who had first inflicted and who now daily
embittered the wound. Yes, Miriam knew it: I saw it in her look, in her
speech, in her manner; and, if anything could render me more unhappy, it
was the consciousness that my miserable weakness lay bare for her to
triumph over.
Thus, and more than thus, I felt. Our true life lies in our heart; from
within it, according as we feel with force or weakness, we rule the
outward world in which we are cast. Strange and dramatic incidents make
not the eventful life: it borrows its charm or tragic power from the ebb
and flow of feelings. There never was a child who led a more sheltered
existence in a more sheltered home; whose life was less varied by
adventure beyond the routine of daily joys and sorrows; and yet to all
that I felt then I may trace the whole of my future destiny. When I look
back on the past, I feel that but for that which preceded, the plain
incidents that are to follow would seem, even to me, tame and trifling;
but the stakes make the game, and when happiness has to be lost or won
the heart will leap at each throw of the dice, and beat fast or slowly
with the faintest alternations of hope and despair.
I remember well one day at the close of winter. They both felt tired, and
sat on the low couch where I had so often sat by him or watched him
sleeping; he now exerted himself to amuse her as he had once done for me;
I sat at a table by the window; a book lay open before me, but I could
not read; I seemed all eyes, all ears, all sense for them.
"You must sit to me some day for a Mary Magdalene," said Cornelius.
"You spoke of a Juliet the other day," she replied, with a careless
smile; "what am I not to be?"
"Say, what should I not be if Cornelius O'Reilly had the power?"
"And why should not Cornelius O'Reilly have the power?"
Her tone was scarcely above indifference, and yet hard to witness and to
know; Cornelius had never looked half so delighted when I boldly assigned
him a rank among the princes and masters of his art, as he now seemed
with these few ambiguous words of his mistress. He started up to work
like one who has received a fresh stimulus to exertion.
"I am still tired," coldly said Miriam.
"I do not want you yet."
"Why work then?"
"Oh! Miriam, must not my beautiful Medora progress?"
"Your beautiful Medora!" she echoed, with something like scorn passing
across her face, and as if she thought that Medora interfered with the
rights of Miriam.
Cornelius was standing before the easel; I saw him smile at the image it
bore.
Public-domain text, read in full here on John Shaqi.
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