England -- Social life and customs -- Fiction; Guardian and ward -- Fiction; Orphans -- Fiction
"She is beautiful," he said in a low tone, "though I say it that should
not, and though I know you will never grant me that she is."
She smiled a little ironically as he turned round to her.
"I will grant you anything," she replied; "Medora is not my portrait, but
an ideal woman for whom you have borrowed my form and face."
"What will not an artist attempt to idealize?" asked Cornelius with a
touch of embarrassment.
"Oh!" she observed very sweetly, "I do not mean to imply it was not
required. Only if this were a portrait, I should object to having Daisy's
eyes and brow given to me."
Cornelius became crimson, and felt that the artist had made the lover
commit a blunder. He tried to pass it off carelessly.
"Ah!" he said, "you think that because I gave too dark a tint to the
eyebrows, and in attempting to make the eyes look deep, rendered them
rather grey--"
She smiled and rose.
"You are not going?" he asked with surprise.
"Why not, since you do not want me."
"No, do not; pray do not!" he entreated; he looked quite uneasy, and in
his earnestness took both her hands in his. She withdrew them with an
astonished and displeased air, and a look that fell on me.
"Daisy," impatiently said Cornelius, "have you nothing to do below? no
lessons to learn?"
He could not have said "You are in the way" more plainly; I did not
answer, but rose and left them.
"What brings you down here?" asked Kate, as I entered the parlour, where
she sat alone sewing.
"Cornelius said I was to learn my lessons."
"Then take your books upstairs."
I objected to this; but Miss O'Reilly was peremptory.
"I am sure Cornelius wanted to get me out of the way," I said at length,
to explain a refusal that naturally surprised her.
"Oh, he did!" indignantly exclaimed Kate.
"Indeed he did, Kate."
"I don't care a pin about that," was her decisive rejoinder, "but I am
determined that he shall not lose his days as he loses his evenings: go
up directly."
I obeyed with deep reluctance; even when I reached the door of the
studio, I paused ere I opened it, then stood still and looked.
They had not heard me; how could they?
Miriam, no longer intent on going, had resumed her place; Cornelius sat
at her feet, one elbow resting on the edge of the couch, his eyes
intently fixed on her face. She bent over him; her cheeks were flushed,
her lips slightly parted; one of her hands was buried in her own fair
hair which fell loosened on her neck, the other slowly unravelled the
dark locks of Cornelius.
"It is not at me, but at Medora, you are looking," she said impatiently.
"Are you jealous of her?"
"Jealous! when I begin it shall be with Daisy."
"Jealous of Daisy! as if you could be!"
Public-domain text, read in full here on John Shaqi.
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