England -- Social life and customs -- Fiction; Guardian and ward -- Fiction; Orphans -- Fiction
He laughed, as she paused, out of breath at the volubility with which she
had spoken. I waited not to hear more, but softly stole up to my room. I
feared neither darkness nor solitude; besides the moon had risen, and her
pale, mild light fell on the floor. So I sat down by my bed, laid my head
on the pillow, and, as I thus faced the window, I looked at the open sky
beyond it, and watched a whole flock of soft white clouds slowly
journeying towards the west. I thought to remain thus until I should hear
the well-known tramp of my father's horse coming down the stony road, but
unconsciously my eyes closed and I fell fast asleep.
How long I slept I cannot tell. I know that I had a fearful dream, which
I have never been able to remember, and that I woke with the cold dews on
my brow and an awful dread at my heart. I looked up trembling with
terror; a large dark cloud was passing over the moon; in my room there
was the gloom of midnight, but not its silence. Unusual tumult filled our
quiet home; I listened and heard the voices of strange men, and above
them that of Sarah, rising loud in lamentation, and exclaiming, "Oh! my
poor master!"
My next remembrance is, that standing on the steps of the staircase, I
looked down at something passing below; that a sharp current of cold air
came from the open front door, beyond which I caught sight of a starry
sky; that on the threshold of the parlour stood, with their backs to me,
three men in coarse jackets; and that, looking beyond them in the room, I
saw Sarah weeping bitterly, and holding a flickering light, whilst
Cornelius O'Reilly bent over my father, who sat in his chair motionless
and deadly pale. He said something; Cornelius looked at Sarah; she laid
down the light, came out, shut the door, and all vanished like a vision
lost in sudden obscurity. And a vision I might have thought it, but for
the subdued speech that followed. Sarah was sobbing in the dark passage.
"Come, girl, don't take on so," said a man's voice, speaking low,
"where's the use? Any one can see it is all over with the poor doctor."
"Oh! don't," incoherently exclaimed Sarah, "don't."
"He said so himself, and he ought to know. 'It is all over with me,
Dick,' says he, when we picked him up from where that cursed horse had
thrown him; 'take me home to die,' says he, 'take me home to die.'"
Sarah moaned; the other two men said nothing; had they but uttered a
word, I should have remembered it, for I still seem to hear distinctly,
as if but just fallen from the lips of the speaker, not merely the words,
but the very intonations of that voice to which, standing on the dark
staircase, I then listened in all the stupor of grief. Scarcely had it
ceased, when the parlour door opened; Cornelius, looking very sad and
pale, appeared on the threshold, and, raising his voice, called out,
"Margaret!"
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account