England -- Social life and customs -- Fiction; Guardian and ward -- Fiction; Orphans -- Fiction
And as I sat at the foot of the old willow, half bending forward and
looking at the stream which flowed almost beneath me, so steep was the
bank, and so near the edge did I sit, I felt as if its scarcely audible
murmur, as if its scarcely visible flow, were slowly wrapping me in a
dream of bliss. I was steeped in happiness; it was sweet, it was
delightful to know that Cornelius was come back, that he was sitting
there by me. I did not look at him; there was no need. Besides, strangely
enough, it seemed more pleasant by far to feel his presence in my heart,
than to gaze on him for hours with my eyes. He had been two long years
away--severed by the sea, by Alps, by strange skies, strange lands,
strange languages, and now, if I wished, I had but to put forth my hand
to touch him as he sat by me beneath the same shade, gazing on the same
clear brook. How he felt I know not; but I know that gradually my reverie
deepened, until at length external objects seemed to fade away, and I
remained sitting there gazing at the dark water, and fully conscious but
of two things--the presence of Cornelius, and the low gliding of the
stream. Happy day!--happy moments! I felt as if I could have sat there,
even as the waters flowed--for ever.
The sound of a tramp, swift and light, on the heath of the park, made me
look up; a herd of deer, with heads erect and startled looks, were
floating past like a vision. They vanished down a beaten track leading to
some favourite haunt. I looked at Cornelius, and smiled; but he had
heard, he had seen nothing. He sat by me on the grassy bank, half-leaning
on one elbow; his brow rested on the palm of his hand; his dark and heavy
hair partly shaded his face. I followed the direction of his glance; it
was fixed on the stream, not with abstracted or dreamy gaze, but as if
beholding something there that charmed attention irresistibly. I looked
down rather curiously, and saw nothing, save my own face reflected in the
placid wave, and seeming, Oread-like to bend forth from a background of
dark foliage. He detected my change of attitude, for he looked up
immediately. I laughed, and said--
"I know what you were doing, Cornelius."
He did not answer.
"You were studying 'effects' again."
"Precisely," he replied, smiling; "effects of light and shadow."
"Are you always studying effects, Cornelius?"
"Whenever I can get them. To look is the delight, ay, the very life, of
an artist."
The words awoke within me a train of thoughts that made my heart beat and
my blood flow with a warmer glow. I could not keep silent. I looked up
and said--
"Oh! Cornelius, what a great painter you will yet be! How much fame and
honour await you! Well, why do you smile so?" I added, somewhat annoyed:
"is it not true?"
"Because, as you speak, your cheeks flush, and your eyes kindle. You look
like a young sybil just now, Daisy."
Public-domain text, read in full here on John Shaqi.
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