Daisy was proceeding daringly, easily, without pause or regret, toward
whatever lay in store for her along the path she had taken. Her
locomotion was that of a thing which is both propelled and drawn. The
propulsive force was her hatred of the farm where she had drudged for
all the workable years of her seventeen under that plebeian taskmaster,
stolid, selfish John Nixon, her stepfather, and that unmaternal mother
whose forename, by some perpetuated sarcasm, was Lovina. The drawing
force was Daisy's own eager, vigorous, intrepid spirit of
adventure--green maidenhood's hunger for the sensational new.
The car in which the two sat was not a "sleeper," but an ordinary
red-upholstered day coach. The two had boarded the train at Oak Lake,
the first station east of Toddburn (where neither of them were known by
the new station agent) at a little after midnight. They were due to
reach the city between six and seven o'clock in the morning.
Even if the car had been a berth coach, and there had been opportunity
for retirement, Daisy could not have slept. The hour, the situation, the
novelty of the rushing, lamplit train (she had never been on a train
before), kept every faculty ablaze and awake in a pleasant intoxication
of excitement. Elbow on window-sill and chin in palm, the girl sat,
glancing now out at the flying moonlit telegraph posts, now about the
interior of the dingy branch-line passenger coach. All seemed fairylike
to her eyes habituated only to prairie fallow and lea.
Young Beatty, holding her hand and thrilling in a delightful though less
spiritual than fleshly way, at the occasional glances with which Daisy
baited him, looked out of the corner of his eye at her and felt very
much pleased, indeed, with himself. First, she had a glorious color, the
like of which one could not buy for money, nor yet for love--a color
that resided comely and rich in her cheeks, even at feeling's lowest
tide, but which now, in the high tide of her adventure, overflowed down
in a bonny estuary toward the milk-warm curve of her chin. Then, there
were the features, each with its peculiar likability or lure--lips made
and eager for enjoyment, yet with something in their set and pose that
was constant and fine--a nose humorous and short, tiltable to every
gradation of coquetry--eyes with dancing irises, soft baffling shadows,
and brows that trended downward at the outer ends. Lastly, the
hair--brown, with a wave that made it comely in any coiffure; coiled
carelessly under a hasty pin or two at temple, crown, and white nape of
neck where a curl caressed--had a piquancy even in its disarray. Beatty
cuddled his head back against the red upholstery of the seat in
luxurious contemplation, and again expressively squeezed the fingers he
held.
Public-domain text, read in full here on John Shaqi.
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