Her head out beneath the raised window-sash, her companion forgotten as
though he had never existed, Daisy wrapped herself in the joy of the
hour. The white house-line, advancing along the angle of its
perspective, broadened and took form and character, split into rays of
streets, discovered great chimneys with smoke-plumes, unveiled square
buildings in a caparison of glittering windows, began to live and move
and give forth human signs. The first workers were already in the
streets, for a goose-herd of city whistles was croaking out seven, vying
therein with the warning blast of the "flyer's" engine as, barely
slackening speed, it rushed along the cobweb of tracks, arrogant and
favored possessor, for the time being, of the right of way to the great
urban station in the heart of all.
"Well, kid," said the voice of Beatty, "how d'ye like it?"
"Fine, Freddie," Daisy replied, blithely. The comment was plain and
simple enough; but her eyes and cheeks told the rest, without need of
words.
Beatty stuck on his hat, tilting it a little.
"It ain't so bad, either," he conceded, grinning to himself, as he
picked up his smart leather suitcase and Daisy's battered telescope
grip, "not so bad, at that, kiddo."
With a hollow, drumlike roar, the train drew to a halt beneath a dome of
glass and iron; and Daisy and her companion, inching along behind the
file of passengers, at length emerged upon a cement walk, walled in on
either side by the bulk of varnished railway coaches. Passing along
this, descending a stair with an iron balustrade, and proceeding through
a great, busy, and echoing rotunda with a ceiling almost as far away as
a sky, Daisy and her companion emerged upon a stretch of granolithic
pavement.
Beyond the curb, a bevy of bus-drivers from city hotels crowed like a
flock of roosters--the surmounting voice in this bedlam being that of a
sandy-mustached old-timer, whose vehicle was labelled "Imperial Hotel."
By his hind-wheel he stood, moving nothing but the hinges of his jaws;
and to see his mouth open to its red limit was to be filled with
consternation.
"Imm-Peary-ail Hoat'l!" he sang, his eyes looking nonchalantly up and
away, with something of the expression he used to wear when scouting the
sky for signs of rain, in the old farming days before he became poet
laureate of the city's pioneer hotel.
"Why--look who's here, will you!" The exclamation was Beatty's, as he
stopped alongside the scratched old bus. "This is him, Mrs. Beatty--old
Jim-Jam Hogle. Can you take a passenger, J. J.?"
Public-domain text, read in full here on John Shaqi.
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