Daisy's Necklace, and What Came of ItAldrich, Thomas Bailey
General
Daisy's Necklace, and What Came of It
Aldrich, Thomas Bailey
Fiction
_The age is dull and mean. Men creep,
Not walk; with blood too pale and tame
To pay the debt they owe to shame;
Buy cheap, sell dear; eat, drink, and sleep
Down-pillowed, deaf to moaning want;
Pay tithes for soul-insurance; keep
Six days to Mammon, one to Cant._
J. G. WHITTIER.
_Every one is as God made him, and oftentimes
A great deal worse._
MIGUEL DE CERVANTES.
IV.
A FEW SPECIMENS OF HUMANITY.
_Down Town--Messrs. Flint & Snarle--Tim, the Office Boy, and the pale
Book-Keeper--The Escritoire--The Purloined Package--Mr. Flint goes
Home--Midnight--Miss Daisy Snarle--The Poor Author._
In one of those thousand and one vein-like streets which cross and recross
the mercantile heart of Gotham, is situated a red brick edifice, which,
like the beggar who solicits your charity in the Park, has seen better
days.
In the time of our Knickerbocker sires, it was an aristocratic dwelling
fronting on a fashionable street, and "Jeems," in green livery, opened the
hall door. The street was a quiet, orderly street in those days--a certain
air of conscious respectability hung about it. Sometimes a private
cabriolet rolled augustly along; and of summer evenings the city beaux,
with extraordinary shoe-buckles, might have been seen promenading the
grass-fringed sidewalks. To-day it is a miasmatic, miserable, muddy
thoroughfare. Your ears are startled by the "Extray 'rival of the 'Rabia,"
and the omnibuses dash through the little confined street with a perfect
madness. Instead of the white-kidded, be-ruffled gallants of Eld, you meet
a hurrying throng of pale, anxious faces, with tare, tret and speculation
in their eyes.
It is a business street, for Mammon has banished Fashion to the golden
precincts of Fifth Avenue. The green of Jeems' livery is, like himself,
invisible. He has departed this life--gone, like Hiawatha, to the Land of
the Hereafter--to the land of spirits, where we can conceive him to be in
his element; but he has a "town residence" in an obscure graveyard, with
his name and "recommendation" on a stone door-plate. His mundane superiors
are reclining beneath the shadow of St. Paul's steeple, where they are
regaled with some delectable music (if you would only think so) from the
balcony of the Museum opposite, and have the combined benefit of Barnum's
scenic-artist and the Drummond light.
Public-domain text, read in full here on John Shaqi.
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