Daisy's Necklace, and What Came of It — John Shaqi
Daisy's Necklace, and What Came of ItAldrich, Thomas Bailey
General
Daisy's Necklace, and What Came of It
Aldrich, Thomas Bailey
Fiction
An author is supposed to know everything about his characters; but I cannot
tell why Daisy placed Mortimer's poet in such an uncomfortable position,
unless she thought that the blood might run into the head of Mr.
Theocritus, and cause him to be taken off with a brain fever!
"And you, Mr. Byron," Daisy continued, "you're a very wicked young fellow!
and I won't let you sit next to Mrs. Hemans!" so she placed Plutarch
between them. "But you and Shelly," Daisy said, resting her hand on Keats,
"you are different sort of persons; you are too earnest and beautiful to be
impure; and you shall sit side by side between L. E. L. and our own Alice
Cary. And Chatterton! poor boy Chatterton! I'll place you in that shadowy
corner of the book-case, where the sunshine never comes!"
So Daisy made merry or sad, as the case might be, over her lover's few
volumes; and when she had arranged them to suit her capricious self, she
kissed her hand to Tom Hood, and locked them all--poets, romancers, and
historians--in the black, sombre old book-case.
Our friend Daisy was in one of those playful, half-childish moods, which
came upon her not unfrequently.
Now she looked around the room for some other piece of useful mischief to
do. She would turn over Mortimer's papers. Ah, what made her blush and
laugh so prettily then? It was only a sheet of note-paper, on which
Mortimer, in a dreamy moment, had written her name innumerable times--for
know, good world, that true love takes the silliest ways to express itself.
Now she was curious.
She stood thoughtfully, with a small morocco case in her hand. The reader
has seen it once in Flint's office. An undefined feeling stole over her;
and it was some time before she thought of opening the case. She did so,
however, and took from it a pearl necklace of rare design and workmanship.
The necklace was in three parts, linked together by exquisitely carved
clasps, from the largest of which hung a
[Illustration: Cross]
composed of smaller and more costly pearls.
"How beautiful!" and she grew more thoughtful. Something within her
recognized the jewels. It was not her sight, it was not her touch, but an
intuitive something which is finer and subtler than either.
"I have seen this somewhere--somewhere," she said; "but where?"
And she closed her eyes, as if the sunlight blinded some timid memory that
was stealing through her brain. Her fancy painted pictures of strange
places and things. Now she saw a country-house, among cool, quiet trees;
then a man dying--some one she loved--but who? Now she was in a large city,
and heard the rumbling of wheels and confused voices. Now the snow was
coming down, flake after flake, and everything was white; then it was
night--dark, stormy, and dreadful--and she was cold, bitter cold! Some one
had left her in the white, clinging snow, and she was freezing!
Public-domain text, read in full here on John Shaqi.
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