In the "Citizen of the World" are to be found some of the best essays of Goldsmith. It was a happy idea that of pourtraying our national peculiarities and customs in the light in which they might strike a foreigner; and the series contain, moreover, besides the inimitable "Man in Black," a portrait which would in itself be enough to make it immortal—the fussy, pleasant, consequential, little Beau Tibbs. Was there ever such a perseveringly happy man? He speaks of his own miserable poverty as if it were wealth, affects to prefer a bit of ox cheek and some "brisk beer" to ortolans and claret, and gives himself the airs of a lord while Mrs. Tibbs is laboriously seeing his second shirt through the washing tub. After all, there may be more true philosophy in the cheerfulness of little Tibbs than in the querulous grumbling of greater men on whom the keen wind of adversity blows and who shout vociferous complaints as they shiver in the keen blast. Beau Tibbs' hilarious cheerfulness is, after all, but an exaggerated phase of the equanimity of the "Man in Black." [Illustration: _Jack Spindle rejected by Miss Jenny Dismal._] It was a day in the poet's life to be marked with a white stone when he made the acquaintance of Johnson. The "great cham of literature," as Smollett called him, understood and appreciated Goldsmith better than did the shallow witlings who laughed at the poet's eccentricities and awkwardness, but had not the sense to discover his genius. And who, better than Goldsmith, could value and respect the great qualities that lay hidden under Johnson's brusque manners and overbearing roughness? Their acquaintance soon ripened into friendship—a friendship that was a joy and solace to Goldsmith until the day of his death. Just at this time Johnson, after many years' hard and unproductive toil had been rewarded with a well-earned pension. Thus lifted above the struggling crowd of his literary brethren, he filled a sort of dictatorial throne among them. In Goldsmith he took quite a peculiar interest, and quickly became what Washington Irving, in his "Life of Goldsmith," happily designates a kind of "growling supervisor of the poet's affairs."