His mother looked at him for a long time and then went out; but from
that time she used to listen secretly to catch, if possible, some notes
of his whistling.
The two children often walked home together, but such an hour as the one
beneath the juniper-bush never came to them again.
When they passed it they used to look at each other and smile, but
neither of them dared to propose sitting down again beneath it.
There was also no further mention of the flute-playing between them,
but Paul thought of it often enough in secret. It seemed to him like
something divine, unheard of--like the science which taught the table of
logarithms. Ah, if he had been clever and gifted like his two brothers;
but he was only a dull, stupid boy, who might be glad if others allowed
him to help them.
He often asked himself what such flute-playing sounded like, and what
kind of people they were who were initiated into the mysteries of it. He
formed a high opinion of them, and thought that they must always cherish
high and holy thoughts, such as arose in his own mind occasionally when
he was deeply absorbed in his whistling.
And then came the day when he was to see a flute-player face to face.
It was a dreary, stormy afternoon in the month of November. It began to
get dark already as he left school and slowly walked along the village
road to-go home. Issuing from the public-house, which used to be
frequented by all the rogues of the neighborhood, wonderful sounds met
his ear. He had never heard the like, but he immediately knew this must
be a flute-player. Eagerly listening, he stopped at the door of the
public-house. His heart beat loudly, his limbs trembled. The sounds were
very much like his whistling, only much fuller and softer. “Such music
the angels of God must make at His throne,” he thought to himself.
Only one thing was inexplicable to him: how this flute-playing,
which sounded so sad and plaintive, could come from such a place of
ill-repute. The shouts and the clinking of glasses which sounded in
between filled his soul with horror. Sudden rage seized him; if he had
been tall and strong he would have sprung into the house and turned all
these noisy and drunken people out into the street, so that the holy
sounds should not be profaned.
At this moment the door was thrown open; a drunken workman reeled past
him, an obnoxious odor issued forth. Louder still grew the noise; the
tones of the flute could scarcely make themselves heard above it.
Then he took courage, and before the door was closed pressed through the
narrow opening into the inner room of the public-house.
He stood there, squeezed behind an empty brandy-cask. Nobody heeded him.
During the first few moments he could not distinguish anything.
The oppressive atmosphere and the noise had overwhelmed his senses, and
the tones of the flute grew harsh and unmelodious, so that they hurt his
ears.
Public-domain text, read in full here on John Shaqi.
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