Before “the friend” whom Holt wished her to meet could retract or
modify, Dolores was led into the larger room. She found that “that
very next person” to whose eyes she would lift her own was the judge
of the case of Cabot vs. Cabot. And while she did not remember--not
exactly--the compliment paid her in the cab, she met his shrewd gaze
with her own defense. He looked for the truth. He saw it--that she felt
no shame.
What they said did not matter--probably could not have been recalled
by any of the three. Their brief chat was significant only through the
things they might not say.
In Justice Strang Dolores saw a man who filled her with confidence. The
determination to know the worst about himself and conquer it showed in
the set of his jaw. His red necktie had action--even daring. His attire
otherwise, like his manner, was conventional.
He escorted them into the hall and to the elevator. Just before
the door clicked shut upon them he said so emphatically that the
elevator-man turned and stared curiously at her:
“Young lady, you have the most eloquent personality I have ever met.”
And so it came about that the decision denying Catherine Cabot her
divorce came to the press as a thunder-clap two days later. The comment
that resulted Justice Strang met with interviews in which he put
unanswerable questions. Who suffered most, the innocent or the guilty?
To make the innocent suffer--was not that a culpable act? What had been
proved? The wife’s evidence was unavailable. The maid had disappeared.
The detectives could testify to nothing that was proof of guilt. Why
elect a judicial puppet? Of what use was a judge not entitled to
disregard everything except his own honest opinion?
Thus it transpired that Dolores Trent, having been convicted unjustly
in the public mind of the several past offenses ascribed to her, found
herself vindicated of the one crime against Society of which she really
was guilty as charged.
* * * * *
Each morning a magnificent box from an Avenue florist was delivered
to the interesting occupant of a small, furnished suite in an
up-town apartment hotel. The regularity of the “attention” quipped
the management’s curiosity concerning “Miss Trevor.” Usually such
regardlessness was followed by a gentleman in a hired car, wearing a
fur-lined overcoat and a manner at once suave and impatient. But no
gentleman had shown interest in this lady since the apartment had been
engaged and paid for by one whose coat was most unpretentious and whose
manner was neither suave nor impatient--a pleasant-spoken, bald-pated,
breezy type of a man who somehow did not seem the sort to be telling it
daily “in flowers.”
Public-domain text, read in full here on John Shaqi.
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