United States -- Social life and customs -- 20th century -- Fiction; Women college students -- Fiction
Presently they descended from the car and walked through Beacon Street
past innumerable tall, narrowly-wedged-in brown stone houses to one near
Dartmouth Street. They were admitted to a tiny waiting room by a colored
man-servant, and waited fifteen minutes before a haughty young lady,
who, Jerry had whispered, was the occasional accompanist, informed them
that Mr. Graham could see them now.
A high, wide room, with busts and pictures and beautiful rugs; two
pianos; and Pa Graham standing at one end. The picture was one that Joy
was to see so often that it would become a part of her. Just now the
picture dissolved as Pa came forward with an old-fashioned bow. A little
man, with high forehead and silvery hair well kept on his still gallant
head; piercing light eyes which might once have been blue; a little old
man who smiled when he bowed. Joy could not respond to the smile; she
was going through her first attack of stage fright.
“So you have brought me someone, Jerry,” he was saying in a resonant
voice that sounded oddly younger than he. “She is young and beautiful;
that adds greatly; others may contradict me at leisure. But let us hear
what she can do; after all, one cannot sing with golden hair and azure
eyes, although sometimes it comes near to it.” He whirled upon her.
“What did you bring?”
Scarlet, she opened her music roll and brought forth the two arias that
she had attempted under Miss Bessie’s instruction: “Depuis le Jour,”
from Louise, and “Plus Grand Dans Son Obscurité,” from the Queen of
Sheba.
“Always they bring grand opera—no matter if they are sixteen or sixty.
H’m—one is for a lyric, one for dramatic. Well, I take it you are a
soprano, anyway; let us hope so, at least. Come and sing; best get it
over with. I am discouraged already. With that face, one cannot expect
much else.”
Joy felt what little spirit she had left oozing away. “How could anyone
learn anything from a man who said he was discouraged before she had set
free a single note?”
The accompanist, with a resigned look that spoke of the thousands of
beautiful airs she must have heard suffering, whipped the Louise air to
the rack of one of the pianos. This piano was on a raised platform, and
Pa Graham motioned to Joy to go and stand by it. As she stumbled up the
steps, he went off to the darkness of the other end of the room, and
Jerry sat down near by with a reassuring wink.
“Depuis le jour où je me suis donnée . . .
L’âme encore grisée
De ton premier—baiser!”
Public-domain text, read in full here on John Shaqi.
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