United States -- Social life and customs -- 20th century -- Fiction; Women college students -- Fiction
Pa threw up his hands and the accompanist played the two opening
measures. Joy abandoned herself to the ecstasy of the song . . . so
recently—she had been there herself. When the last blissful echo had
died away, she threw back her head and looked at Pa in triumph. He
looked back at her, and shook his head.
“Of course, you must remember that mood,” he said, “so that some day you
may sing it, and set people to dreaming of their first love. But you
must be able to take your moods out of your pocket, and hold them in
your hand. Do you see, my dear? If you give yourself up to the mood, it
gets out of hand—When one is thrilled oneself, one is rarely thrilling
one’s audience. Mind! Mind over all—or the result is artistic chaos.”
“I don’t want to sing so that people will think of my mind—” Joy
objected, rebellious. “No; but you must have yourself under control or
you cannot control your audience. Be blissful, or passionate, or
dreaming; but plan it out first; don’t rely upon the moment’s mood for
spurts of inspiration.”
She left the studio, her spirits more dashed than a newly-engaged girl’s
should have been over such a matter. The singer’s road was so long, so
hard—so nerve-racking—She whiled away the trolley journey to the
apartment in finding adjectives, none of which were sufficiently
comprehensive. Yet, remembering the way her scales had soared—and the
windows vibrated—the exultant sense of power that had been hers—the
voices within her were more contented lately, she liked to fancy—Yes,
music drew one on even while one despaired.
The apartment seemed changed. Had Jerry been house-cleaning in her
absence? There was more furniture in the hall than usual, furniture that
belonged in the reception room; and everything shone as if it had been
newly scrubbed. Ordinarily, while the apartment was not really untidy,
it bore an air of very light housekeeping. Joy poked her head inside the
reception room, and dropped the suitcase at what she saw.
A strange woman sitting on the comfortable sofa—a woman with very
blonde hair and a figure which would have been expansive if given a
chance by her potent corsets. An earringed, bejewelled woman, with dark,
hard hollows for eyes in a face whose pink and white layers gave her
skin an ironed-out look which trembled into telltale wrinkles and
creases in the neck. Jerry was standing before her—a changed Jerry in a
bright, bizarre gown of some rough green silk which clung to her like a
wet bathing-suit—her hair pulled back straight and confined by a ribbon
of the same bright silk—jade earrings lilting from her ears. Her face
was rouged; her lips a splotch of scarlet. She swayed lithely as Joy
stared, spellbound, and was saying, in a silken, rustling voice which
reminded Joy oddly of the dress she wore: “I am sure you will enjoy the
little frock, Mrs. Bowman. Florence Fay was in Saturday, and I am
creating one for her that is very similar.”
Public-domain text, read in full here on John Shaqi.
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