Dangerous Ground; or, The Rival Detectives — John Shaqi
Dangerous Ground; or, The Rival DetectivesLynch, Lawrence L.
General
Dangerous Ground; or, The Rival Detectives
Lynch, Lawrence L.
Detective and mystery stories; Fiction
While the thieves are gazing upon her from above, Leslie Warburton,
unconscious of this new danger that threatens her, replaces her veil and
continues to address the old man.
"Once more, and for the last time," she pleads, "I ask you to tell me
the truth. Give up this claim of kinship. If you were my father,
something in my heart would tell me so; God has not created me lower
than the brutes. What do you know of my parentage? You must possess some
knowledge. Man, I would go upon my knees to you to learn the truth!"
Papa is silent a moment, then he begins to cough violently. It is the
signal for the two thieves to enter, but they do not respond as promptly
as Papa could wish.
"My child," he begins feebly, but leaves the sentence unfinished at the
sound of a double knock upon the door.
"Ah-h-h!" he cries with evident relief, "here comes your mother; she can
tell you how wrong you are."
And he hastens to admit an old woman, literally lost in an ample
old-fashioned cloak, and bearing in her arms a long and apparently heavy
bundle.
"Ah," says the old hypocrite, "here you are at last, after being at the
toil of the poor. Come in, old woman, here is our proud girl come to see
us." Then as his eyes rest upon the bundle, he grasps her wrist and
hisses in her ear: "You old fool! to bring _that_ here."
"I had to do it," she retorts in a whisper; "there are cops in the
alleys."
With a fierce gesture toward the rear door, Papa seizes the bundle,
saying:
"Why, it is very heavy; old iron, I suppose; and how horrid those old
rags smell. We must take them away, old woman."
And with a jerk of the head which, evidently, she understands, he turns
toward the aforementioned door, and they bear the big bundle out between
them.
Perhaps it is the flickering light, perhaps it is her disordered fancy,
but as they bear their burden through the doorway, Leslie Warburton
half believes that she sees it move. A moment later she starts forward,
her face blanched, her eyes distended.
"Oh, am I losing my senses?" she cries, "or _did_ I hear a child's
voice, a voice like my little Daisy's, calling 'mamma?'"
A moment she listens, but no child's voice breaks the stillness; even
Papa and Mamma Francoise are silent in the room without.
A sudden feeling of terror possesses Leslie.
"Oh, these wicked people are driving me mad!" she murmurs brokenly.
"_Anything_ is better than this. I will go home and confess all to my
husband. I will brave the worst, rather than be so tortured!"
Drawing her cloak about her, she makes a step toward the door.
Only a single step, for strong hands seize her from behind, and,
uttering a shriek of terror, she sees a ferocious face close to her own,
feels a clutch upon her throat, and is struggling between two fierce
assailants.
"Get on to the shiners, gal," commands Siebel, as he pinions her arms
with his powerful hands.
Again Leslie utters a cry for help, and what follows is the work of a
moment.
Public-domain text, read in full here on John Shaqi.
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