Didactic fiction; England -- Fiction; Jewish fiction; Jews -- England -- Fiction; Zionists -- Fiction
“I will take you to a lady who has daughters,” said Deronda,
immediately. He felt a sort of relief in gathering that the wretched
home and cruel friends he imagined her to be fleeing from were not in
the near background. Still she hesitated, and said more timidly than
ever,
“Do you belong to the theatre?”
“No; I have nothing to do with the theatre,” said Deronda, in a decided
tone. Then beseechingly, “I will put you in perfect safety at once;
with a lady, a good woman; I am sure she will be kind. Let us lose no
time: you will make yourself ill. Life may still become sweet to you.
There are good people—there are good women who will take care of you.”
She drew backward no more, but stepped in easily, as if she were used
to such action, and sat down on the cushions.
“You had a covering for your head,” said Deronda.
“My hat?” (She lifted up her hands to her head.) “It is quite hidden in
the bush.”
“I will find it,” said Deronda, putting out his hand deprecatingly as
she attempted to rise. “The boat is fixed.”
He jumped out, found the hat, and lifted up the saturated cloak,
wringing it and throwing it into the bottom of the boat.
“We must carry the cloak away, to prevent any one who may have noticed
you from thinking you have been drowned,” he said, cheerfully, as he
got in again and presented the old hat to her. “I wish I had any other
garment than my coat to offer you. But shall you mind throwing it over
your shoulders while we are on the water? It is quite an ordinary thing
to do, when people return late and are not enough provided with wraps.”
He held out the coat toward her with a smile, and there came a faint
melancholy smile in answer, as she took it and put it on very cleverly.
“I have some biscuits—should you like them?” said Deronda.
“No; I cannot eat. I had still some money left to buy bread.”
He began to ply his oar without further remark, and they went along
swiftly for many minutes without speaking. She did not look at him, but
was watching the oar, leaning forward in an attitude of repose, as if
she were beginning to feel the comfort of returning warmth and the
prospect of life instead of death. The twilight was deepening; the red
flush was all gone and the little stars were giving their answer one
after another. The moon was rising, but was still entangled among the
trees and buildings. The light was not such that he could distinctly
discern the expression of her features or her glance, but they were
distinctly before him nevertheless—features and a glance which seemed
to have given a fuller meaning for him to the human face. Among his
anxieties one was dominant: his first impression about her, that her
mind might be disordered, had not been quite dissipated: the project of
suicide was unmistakable, and given a deeper color to every other
suspicious sign. He longed to begin a conversation, but abstained,
wishing to encourage the confidence that might induce her to speak
first. At last she did speak.
Public-domain text, read in full here on John Shaqi.
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