Didactic fiction; England -- Fiction; Jewish fiction; Jews -- England -- Fiction; Zionists -- Fiction
This satisfied Gwendolen, who was not prepared to have their arrival
treated with indifference; and after tripping a little way up the
matted stone staircase to take a survey there, she tripped down again,
and followed by all the girls looked into each of the rooms opening
from the hall—the dining-room all dark oak and worn red satin damask,
with a copy of snarling, worrying dogs from Snyders over the
side-board, and a Christ breaking bread over the mantel-piece; the
library with a general aspect and smell of old brown-leather; and
lastly, the drawing-room, which was entered through a small antechamber
crowded with venerable knick-knacks.
“Mamma, mamma, pray come here!” said Gwendolen, Mrs. Davilow having
followed slowly in talk with the housekeeper. “Here is an organ. I will
be Saint Cecilia: some one shall paint me as Saint Cecilia. Jocosa
(this was her name for Miss Merry), let down my hair. See, mamma?”
She had thrown off her hat and gloves, and seated herself before the
organ in an admirable pose, looking upward; while the submissive and
sad Jocosa took out the one comb which fastened the coil of hair, and
then shook out the mass till it fell in a smooth light-brown stream far
below its owner’s slim waist.
Mrs. Davilow smiled and said, “A charming picture, my dear!” not
indifferent to the display of her pet, even in the presence of a
housekeeper. Gwendolen rose and laughed with delight. All this seemed
quite to the purpose on entering a new house which was so excellent a
background.
“What a queer, quaint, picturesque room!” she went on, looking about
her. “I like these old embroidered chairs, and the garlands on the
wainscot, and the pictures that may be anything. That one with the
ribs—nothing but ribs and darkness—I should think that is Spanish,
mamma.”
“Oh, Gwendolen!” said the small Isabel, in a tone of astonishment,
while she held open a hinged panel of the wainscot at the other end of
the room.
Every one, Gwendolen first, went to look. The opened panel had
disclosed the picture of an upturned dead face, from which an obscure
figure seemed to be fleeing with outstretched arms. “How horrible!”
said Mrs. Davilow, with a look of mere disgust; but Gwendolen shuddered
silently, and Isabel, a plain and altogether inconvenient child with an
alarming memory, said,
“You will never stay in this room by yourself, Gwendolen.”
“How dare you open things which were meant to be shut up, you perverse
little creature?” said Gwendolen, in her angriest tone. Then snatching
the panel out of the hand of the culprit, she closed it hastily,
saying, “There is a lock—where is the key? Let the key be found, or
else let one be made, and let nobody open it again; or rather, let the
key be brought to me.”
At this command to everybody in general Gwendolen turned with a face
which was flushed in reaction from her chill shudder, and said, “Let us
go up to our own room, mamma.”
Public-domain text, read in full here on John Shaqi.
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