Didactic fiction; England -- Fiction; Jewish fiction; Jews -- England -- Fiction; Zionists -- Fiction
For the vice of gambling lay in losing money at it. In his bearing
there might be something of the tradesman, but in his pleasures he was
fit to rank with the owners of the oldest titles. Standing close to his
chair was a handsome Italian, calm, statuesque, reaching across him to
place the first pile of napoleons from a new bagful just brought him by
an envoy with a scrolled mustache. The pile was in half a minute pushed
over to an old bewigged woman with eye-glasses pinching her nose. There
was a slight gleam, a faint mumbling smile about the lips of the old
woman; but the statuesque Italian remained impassive, and—probably
secure in an infallible system which placed his foot on the neck of
chance—immediately prepared a new pile. So did a man with the air of
an emaciated beau or worn-out libertine, who looked at life through one
eye-glass, and held out his hand tremulously when he asked for change.
It could surely be no severity of system, but rather some dream of
white crows, or the induction that the eighth of the month was lucky,
which inspired the fierce yet tottering impulsiveness of his play.
But, while every single player differed markedly from every other,
there was a certain uniform negativeness of expression which had the
effect of a mask—as if they had all eaten of some root that for the
time compelled the brains of each to the same narrow monotony of action.
Deronda’s first thought when his eyes fell on this scene of dull,
gas-poisoned absorption, was that the gambling of Spanish shepherd-boys
had seemed to him more enviable:—so far Rousseau might be justified in
maintaining that art and science had done a poor service to mankind.
But suddenly he felt the moment become dramatic. His attention was
arrested by a young lady who, standing at an angle not far from him,
was the last to whom his eyes traveled. She was bending and speaking
English to a middle-aged lady seated at play beside her: but the next
instant she returned to her play, and showed the full height of a
graceful figure, with a face which might possibly be looked at without
admiration, but could hardly be passed with indifference.
The inward debate which she raised in Deronda gave to his eyes a
growing expression of scrutiny, tending farther and farther away from
the glow of mingled undefined sensibilities forming admiration. At one
moment they followed the movements of the figure, of the arms and
hands, as this problematic sylph bent forward to deposit her stake with
an air of firm choice; and the next they returned to the face which, at
present unaffected by beholders, was directed steadily toward the game.
The sylph was a winner; and as her taper fingers, delicately gloved in
pale-gray, were adjusting the coins which had been pushed toward her in
order to pass them back again to the winning point, she looked round
her with a survey too markedly cold and neutral not to have in it a
little of that nature which we call art concealing an inward exultation.
Public-domain text, read in full here on John Shaqi.
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