“Well, you shall have all my papers, if you like. So many, you know, have written about Tasso; but they are all wrong. As to the particular nature of his madness, and his feelings for Leonora, and the real cause of his imprisonment, and the character of Leonora, who, in my opinion, was a cold-hearted woman, else she would have married him in spite of her brother—they are all wrong. I differ from everybody.” “How very interesting!” said Gwendolen. “I like to differ from everybody. I think it is so stupid to agree. That is the worst of writing your opinions; you make people agree with you.” This speech renewed a slight suspicion in Mrs. Arrowpoint, and again her glance became for a moment examining. But Gwendolen looked very innocent, and continued with a docile air: “I know nothing of Tasso except the _Gerusalemme Liberata_, which we read and learned by heart at school.” “Ah, his life is more interesting than his poetry, I have constructed the early part of his life as a sort of romance. When one thinks of his father Bernardo, and so on, there is much that must be true.” “Imagination is often truer than fact,” said Gwendolen, decisively, though she could no more have explained these glib words than if they had been Coptic or Etruscan. “I shall be so glad to learn all about Tasso—and his madness especially. I suppose poets are always a little mad.” “To be sure—‘the poet’s eye in a fine frenzy rolling’; and somebody says of Marlowe, ‘For that fine madness still he did maintain, Which always should possess the poet’s brain.’” “But it was not always found out, was it?” said Gwendolen innocently. “I suppose some of them rolled their eyes in private. Mad people are often very cunning.” Again a shade flitted over Mrs. Arrowpoint’s face; but the entrance of the gentlemen prevented any immediate mischief between her and this too quick young lady, who had over-acted her _naïveté_. “Ah, here comes Herr Klesmer,” said Mrs. Arrowpoint, rising; and presently bringing him to Gwendolen, she left them to a dialogue which was agreeable on both sides, Herr Klesmer being a felicitous combination of the German, the Sclave and the Semite, with grand features, brown hair floating in artistic fashion, and brown eyes in spectacles. His English had little foreignness except its fluency; and his alarming cleverness was made less formidable just then by a certain softening air of silliness which will sometimes befall even Genius in the desire of being agreeable to Beauty.