Didactic fiction; England -- Fiction; Jewish fiction; Jews -- England -- Fiction; Zionists -- Fiction
Undeniably Deronda’s growing solicitude about Gwendolen depended
chiefly on her peculiar manner toward him; and I suppose neither man
nor woman would be the better for an utter insensibility to such
appeals. One sign that his interest in her had changed its footing was
that he dismissed any caution against her being a coquette setting
snares to involve him in a vulgar flirtation, and determined that he
would not again evade any opportunity of talking to her. He had shaken
off Mr. Vandernoodt, and got into a solitary corner in the twilight;
but half an hour was long enough to think of those possibilities in
Gwendolen’s position and state of mind; and on forming the
determination not to avoid her, he remembered that she was likely to be
at tea with the other ladies in the drawing-room. The conjecture was
true; for Gwendolen, after resolving not to go down again for the next
four hours, began to feel, at the end of one, that in shutting herself
up she missed all chances of seeing and hearing, and that her visit
would only last two days more. She adjusted herself, put on her little
air of self-possession, and going down, made herself resolutely
agreeable. Only ladies were assembled, and Lady Pentreath was amusing
them with a description of a drawing-room under the Regency, and the
figure that was cut by ladies and gentlemen in 1819, the year she was
presented—when Deronda entered.
“Shall I be acceptable?” he said. “Perhaps I had better go back and
look for the others. I suppose they are in the billiard-room.”
“No, no; stay where you are,” said Lady Pentreath. “They were all
getting tired of me; let us hear what _you_ have to say.”
“That is rather an embarrassing appeal,” said Deronda, drawing up a
chair near Lady Mallinger’s elbow at the tea-table. “I think I had
better take the opportunity of mentioning our songstress,” he added,
looking at Lady Mallinger—“unless you have done so.”
“Oh, the little Jewess!” said Lady Mallinger. “No, I have not mentioned
her. It never entered my head that any one here wanted singing lessons.”
“All ladies know some one else who wants singing lessons,” said
Deronda. “I have happened to find an exquisite singer,”—here he turned
to Lady Pentreath. “She is living with some ladies who are friends of
mine—the mother and sisters of a man who was my chum at Cambridge. She
was on the stage at Vienna; but she wants to leave that life, and
maintain herself by teaching.”
“There are swarms of those people, aren’t there?” said the old lady.
“Are her lessons to be very cheap or very expensive? Those are the two
baits I know of.”
“There is another bait for those who hear her,” said Deronda. “Her
singing is something quite exceptional, I think. She has had such
first-rate teaching—or rather first-rate instinct with her
teaching—that you might imagine her singing all came by nature.”
“Why did she leave the stage, then?” said Lady Pentreath. “I’m too old
to believe in first-rate people giving up first-rate chances.”
Public-domain text, read in full here on John Shaqi.
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