Didactic fiction; England -- Fiction; Jewish fiction; Jews -- England -- Fiction; Zionists -- Fiction
“Her voice was too weak. It is a delicious voice for a room. You who
put up with my singing of Schubert would be enchanted with hers,” said
Deronda, looking at Mrs. Raymond. “And I imagine she would not object
to sing at private parties or concerts. Her voice is quite equal to
that.”
“I am to have her in my drawing-room when we go up to town,” said Lady
Mallinger. “You shall hear her then. I have not heard her myself yet;
but I trust Daniel’s recommendation. I mean my girls to have lessons of
her.”
“Is it a charitable affair?” said Lady Pentreath. “I can’t bear
charitable music.”
Lady Mallinger, who was rather helpless in conversation, and felt
herself under an engagement not to tell anything of Mirah’s story, had
an embarrassed smile on her face, and glanced at Deronda.
“It is a charity to those who want to have a good model of feminine
singing,” said Deronda. “I think everybody who has ears would benefit
by a little improvement on the ordinary style. If you heard Miss
Lapidoth”—here he looked at Gwendolen—“perhaps you would revoke your
resolution to give up singing.”
“I should rather think my resolution would be confirmed,” said
Gwendolen. “I don’t feel able to follow your advice of enjoying my own
middlingness.”
“For my part,” said Deronda, “people who do anything finely always
inspirit me to try. I don’t mean that they make me believe I can do it
as well. But they make the thing, whatever it may be, seem worthy to be
done. I can bear to think my own music not good for much, but the world
would be more dismal if I thought music itself not good for much.
Excellence encourages one about life generally; it shows the spiritual
wealth of the world.”
“But then, if we can’t imitate it, it only makes our own life seem the
tamer,” said Gwendolen, in a mood to resent encouragement founded on
her own insignificance.
“That depends on the point of view, I think,” said Deronda. “We should
have a poor life of it if we were reduced for all our pleasure to our
own performances. A little private imitation of what is good is a sort
of private devotion to it, and most of us ought to practice art only in
the light of private study—preparation to understand and enjoy what
the few can do for us. I think Miss Lapidoth is one of the few.”
“She must be a very happy person, don’t you think?” said Gwendolen,
with a touch of sarcasm, and a turn of her neck toward Mrs. Raymond.
“I don’t know,” answered the independent lady; “I must hear more of her
before I say that.”
“It may have been a bitter disappointment to her that her voice failed
her for the stage,” said Juliet Fenn, sympathetically.
“I suppose she’s past her best, though,” said the deep voice of Lady
Pentreath.
“On the contrary, she has not reached it,” said Deronda. “She is barely
twenty.”
Public-domain text, read in full here on John Shaqi.
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