Didactic fiction; England -- Fiction; Jewish fiction; Jews -- England -- Fiction; Zionists -- Fiction
But Gwendolen did not like to dwell on facts which threw an unfavorable
light on itself. The musical Magus who had so suddenly widened her
horizon was not always on the scene; and his being constantly backward
and forward between London and Quetcham soon began to be thought of as
offering opportunities for converting him to a more admiring state of
mind. Meanwhile, in the manifest pleasure her singing gave at
Brackenshaw Castle, the Firs, and elsewhere, she recovered her
equanimity, being disposed to think approval more trustworthy than
objection, and not being one of the exceptional persons who have a
parching thirst for a perfection undemanded by their neighbors. Perhaps
it would have been rash to say then that she was at all exceptional
inwardly, or that the unusual in her was more than her rare grace of
movement and bearing, and a certain daring which gave piquancy to a
very common egoistic ambition, such as exists under many clumsy
exteriors and is taken no notice of. For I suppose that the set of the
head does not really determine the hunger of the inner self for
supremacy: it only makes a difference sometimes as to the way in which
the supremacy is held attainable, and a little also to the degree in
which it can be attained; especially when the hungry one is a girl,
whose passion for doing what is remarkable has an ideal limit in
consistency with the highest breeding and perfect freedom from the
sordid need of income. Gwendolen was as inwardly rebellious against the
restraints of family conditions, and as ready to look through
obligations into her own fundamental want of feeling for them, as if
she had been sustained by the boldest speculations; but she really had
no such speculations, and would at once have marked herself off from
any sort of theoretical or practically reforming women by satirizing
them. She rejoiced to feel herself exceptional; but her horizon was
that of the genteel romance where the heroine’s soul poured out in her
journal is full of vague power, originality, and general rebellion,
while her life moves strictly in the sphere of fashion; and if she
wanders into a swamp, the pathos lies partly, so to speak, in her
having on her satin shoes. Here is a restraint which nature and society
have provided on the pursuit of striking adventure; so that a soul
burning with a sense of what the universe is not, and ready to take all
existence as fuel, is nevertheless held captive by the ordinary
wirework of social forms and does nothing particular.
Public-domain text, read in full here on John Shaqi.
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