Didactic fiction; England -- Fiction; Jewish fiction; Jews -- England -- Fiction; Zionists -- Fiction
And Hermione was chosen; all agreeing that age was of no consequence,
but Gwendolen urged that instead of the mere tableau there should be
just enough acting of the scene to introduce the striking up of the
music as a signal for her to step down and advance; when Leontes,
instead of embracing her, was to kneel and kiss the hem of her garment,
and so the curtain was to fall. The antechamber with folding doors lent
itself admirably to the purpose of a stage, and the whole of the
establishment, with the addition of Jarrett the village carpenter, was
absorbed in the preparations for an entertainment, which, considering
that it was an imitation of acting, was likely to be successful, since
we know from ancient fable that an imitation may have more chance of
success than the original.
Gwendolen was not without a special exultation in the prospect of this
occasion, for she knew that Herr Klesmer was again at Quetcham, and she
had taken care to include him among the invited.
Klesmer came. He was in one of his placid, silent moods, and sat in
serene contemplation, replying to all appeals in benignant-sounding
syllables more or less articulate—as taking up his cross meekly in a
world overgrown with amateurs, or as careful how he moved his lion paws
lest he should crush a rampant and vociferous mouse.
Everything indeed went off smoothly and according to expectation—all
that was improvised and accidental being of a probable sort—until the
incident occurred which showed Gwendolen in an unforeseen phase of
emotion. How it came about was at first a mystery.
The tableau of Hermione was doubly striking from its dissimilarity with
what had gone before: it was answering perfectly, and a murmur of
applause had been gradually suppressed while Leontes gave his
permission that Paulina should exercise her utmost art and make the
statue move.
Hermione, her arm resting on a pillar, was elevated by about six
inches, which she counted on as a means of showing her pretty foot and
instep, when at the given signal she should advance and descend.
“Music, awake her, strike!” said Paulina (Mrs. Davilow, who, by special
entreaty, had consented to take the part in a white burnous and hood).
Public-domain text, read in full here on John Shaqi.
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