“Da tutte parti saettava il giorno
Lo sol, ch’avea con le saette conte
Di mezzo il ciel cacciato il Capricorno.”
_Purg._ ii. 55-57.
“On every side was darting forth the day
The sun, who had with his resplendent shafts
From the mid-heaven chased forth the Capricorn.”
----------------------------------------------------------------
Soon after sunrise.
Walking westward, towards the Mountain of Purgatory.
“Lo sol che retro fiammeggiava roggio.”
_Purg._ iii. 16.
“The sun that in our rear was flaming red.”
----------------------------------------------------------------
Shortly after 6 a.m. (3 p.m. in Italy).
“Vespero è già colà dov’ è sepolto
Lo corpo dentro al quale io facea ombra.”
_Purg._ iii. 25, 26.
“’Tis vespers there already where is buried
The body within which I cast a shadow.”
----------------------------------------------------------------
About 9.30 a.m.
At the foot of the Mountain.
“Ben cinquanta gradi salito era
Lo sole.”
_Purg._ iv. 15, 16.
“Fifty full degrees uprisen was
The sun.”
----------------------------------------------------------------
Midday.
On a ledge of the Mountain (Anti-purgatory).
“Vedi ch’è tocco
Meridian dal sole, e dalla riva.
Copre la notte già col piè Morrocco.”
_Purg._ iv. 137-139.
“See, the sun has touched
Meridian, and from the shore the night
Covers already with her foot Morocco.”
----------------------------------------------------------------
Afternoon.
Climbing the eastern slope of the Mountain.
“Vedi omai che il poggio l’ ombra getta.
. . . . .
Prima che sii lassù tornar vedrai
Colui che già si copre della costa,
Sì che i suoi raggi tu romper non fai.”
_Purg._ vi. 51-57.
“See, e’en now the hill a shadow casts.
. . . . .
Ere thou art up there, thou shalt see return
Him, who now hides himself behind the hill,
So that thou dost not interrupt his rays.”
----------------------------------------------------------------
Evening.
“Vedi già come dichina il giorno.”
_Purg._ vii. 43.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account