The “Sitara” [the Eastern Guitar] used to be much played in Yassen, the people of which country as well as the people of Hunza and Nagyr excel in dancing, singing and playing. After them come the Gilgitis, then the Astoris, Chilasis, Baltis, etc. The people of Nagyr are a comparatively mild race. They carry on goldwashing which is constantly interrupted by kidnapping parties from the opposite Hunza. The language of Nagyr and Hunza is the Non-Aryan Khajuná and no affinity between that language and any other has yet been traced. The Nagyris are mostly Shiahs. They are short and stout and fairer than the people of Hunza [the Kunjûtis] who are described[43] as “tall skeletons” and who are desperate robbers. The Nagyris understand Tibetan, Persian and Hindustani. Badakhshan merchants were the only ones who could travel with perfect safety through Yassen, Chitral and Hunza. DANCES[44] Fall into two main divisions: “slow” or “Búti Harip” = Slow Instrument and Quick “Danni Harip,” = Quick Instrument. The Yassen, Nagyr and Hunza people dance quickest; then come the Gilgitis; then the Astóris; then the Baltis, and slowest of all are the Ladakis. When all join in the dance, cheer or sing with gesticulations, the dance or recitative is called “thapnatt” in Gilgiti, and “Burró” in Astóri. When there is a solo dance it is called “nàtt” in Gilgiti, and “nott” in Astóri. “Cheering” is called “Halamush” in Ghilgiti, and “Halamùsh” in Astóri. Clapping of hands is called “tza.” Cries of “_Yú_, Yú dea; tza theá, Hiú Hiú dea; Halamush thea; shabâsh” accompany the performances. There are several kinds of Dances. The PRASULKI NATE, is danced by ten or twelve people ranging themselves behind the bride as soon as she reaches the bridegroom’s house. This custom is observed at Astor. In this dance men swing above sticks or whatever they may happen to hold in their hands. [Illustration: A DANCE AT GILGIT (DR. LEITNER AND HIS PANJABI ATTENDANTS LOOKING ON).] The BURÓ NATT is a dance performed on the Nao holiday, in which both men and women engage—the women forming a ring round the central group of dancers, which is composed of men. This dance is called THAPPNATT at Gilgit. In Dareyl there is a dance in which the dancers wield swords and engage in a mimic fight. This dance Gilgitis and Astòris call the _Darelâ nat_, but what it is called by the Dareylis themselves I do not know. The mantle dance is called “GOJA NAT.” In this popular dance the dancer throws his cloth over his extended arm.