Darkness and Dawn; Or, Scenes in the Days of Nero. An Historic TaleFarrar, F. W. (Frederic William)
History
Darkness and Dawn; Or, Scenes in the Days of Nero. An Historic Tale
Farrar, F. W. (Frederic William)
Rome -- History -- Nero, 54-68 -- Fiction
‘“Such is our Cæsar; such, O happy Rome,
Thy radiant Nero gilds his Palace home;
His gentle looks with tempered splendour shine,
Round his fair neck his golden tresses twine.”’--
and, in the intimacy of friendship, he ventured to pass his hand
over the soft golden hair which flowed over the neck of the proud
and happy youth.
‘How witty it is, and how powerful!’ said Petronius. ‘Who could have
written it?’
Lucan gave a meaning smile. He had not been dismissed from the Villa
Castor with the other guests, because the Emperor, although jealous
of him, could not help admiring his fiery, original, and declamatory
genius.
‘You smile, Lucan,’ said Otho; ‘surely your uncle Seneca--that grave
and stately philosopher--could not have written this sparkling farce?’
‘Seneca?’ said Vestinus; ‘what, he who grovelled at the feet of the
freedman Polybius, and told him that the one supreme consolation to
him for the loss of his wife would be the divine beneficence of the
Pumpkinity whom here he paints as an imbecile slaverer?’
‘I think Seneca deserves to be brought up on a charge of treason, if
he really wrote it,’ said Tigellinus.
‘Nonsense, Tigellinus,’ said Petronius; ‘you need not be so
sanguinary. The thing is but a jest, after all. On the stage we
allow the freest and broadest jokes against the twelve greater gods,
and even the Capitoline Jupiter; why should not a wit jest harmlessly
upon the deified Claudius, now that he has died of eating a mushroom?’
‘You are right,’ said Nero; ‘the author is too witty to be punished;
and now I always call mushrooms “the food of the gods.” But _was_
Seneca the writer?’ he asked, turning to Lucan.
‘I think I may say quite confidently that he was _not_,’ said Lucan,
a little alarmed by the savage remark of Tigellinus. In point of
fact, he believed that the brochure had been written by his own
father, Marcus Annæus Mela, but he felt it desirable that the secret
should be kept.
‘We all know that the Annæi are loyal,’ sneered Tigellinus.
‘As loyal, at any rate, as men who would sell their souls for an
aureus,’ answered the Spaniard. He looked full at Tigellinus, who
remembered the scene, and put it down in his note-book for the day
of vengeance.
But Petronius loved elegance, and did not care for quarrels, and he
tried to turn the conversation from unpleasant subjects. ‘Lucan,’ he
asked, ‘have you written any verses about Nero? If so, pray let us
have the pleasure of hearing them.’
Lucan was far from unwilling to show that he too could flatter, and
he recited the lines of colossal adulation from the opening of the
‘Pharsalia.’ Even the civil wars, he sang, with all their slaughter,
were not too heavy a price to pay for the blessing of having obtained
a Nero; and he begs him to be careful what part of Olympus he chooses
for his future residence, lest the burden of his greatness should
disturb the equilibrium of the world![39]
Public-domain text, read in full here on John Shaqi.
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