Darkness and Dawn; Or, Scenes in the Days of Nero. An Historic TaleFarrar, F. W. (Frederic William)
History
Darkness and Dawn; Or, Scenes in the Days of Nero. An Historic Tale
Farrar, F. W. (Frederic William)
Rome -- History -- Nero, 54-68 -- Fiction
Nero had just heard the deification of Claudius torn to shreds with
mortal sarcasm, but his own vanity was impervious to any wound, and
he eagerly drank in the adulation which--with no more sincerity than
that which had been addressed to his predecessor by the Senate and
people of Rome--assured him of the honour of plenary divinity among
the deities of heaven in whom, nevertheless, he scarcely even
affected to believe.
He turned to Petronius and asked him to recite his poem on the
Sack of Troy. Petronius did so, and the Emperor listened with eager
interest. It was a subject which fascinated him.
‘Ah!’ he said, ‘to see a city in flames--that would be worth living
for! I have tried to write something on that subject myself.’
All present, of course, pressed him to favour them with his poem, and
after a little feminine show of reluctance, and many protestations of
mock modesty, he read them, in an affected voice, some verses which
were marked in every phrase by the falsetto of the age. It was
evident that they had been painfully elaborated. Indeed, as they
looked at the note-book from which the Emperor read they saw that the
_labor limæ_ had been by no means wanting. The book, which afterwards
fell into the hands of Suetonius, was scratched and scrawled over
in every direction, and it showed that many a turn of expression
had been altered twenty times before it became tinkling enough and
fantastic enough to suit Nero’s taste. It was clear from the tone
in which he read them that the most bizarre lines were exactly those
that pleased him best, and they were therefore the ones which his
flatterers selected for their loudest applause.
‘“Filled the grim horns with Mimallonean buzz”’--
repeated Lucan. ‘How energetic! how picturesque!’
‘He is laughing at you in his sleeve, Cæsar,’ whispered Tigellinus;
‘and he thinks his own most impromptu line far superior.’
Lucan did not overhear the remark, and he proceeded to quote and
praise the three lines on the river Tigris, which
‘“Deserts the Persian realms he loved to lave,
And to non-seekers shows his sought-for wave.”
Now those lines I feel sure will live.’
‘Of course they will,’ said Tigellinus, ‘long after your poems are
forgotten.’
The young poet only shrugged his shoulders, and turned on the
adventurer a glance of disdain. Petronius, however, who disliked and
despised Tigellinus, was now thoroughly disgusted by his malignity,
and did not hesitate to express his contempt. ‘Tigellinus,’ he said.
‘if you are so rude I shall ask Cæsar to dismiss you. What nonsense
on your part to pretend to know anything about poetry! You know even
less than Calvisius Sabinus, who confounds Achilles with Ulysses, and
has bought ten slaves who know all the poets by heart to prompt him
when he makes a mistake.’[40]
Tigellinus reddened with anger, but he did not venture to reply.
‘For my part,’ said Senecio, ‘I prefer the line
‘“Thou who didst chine the long-ribb’d Apennine,”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account