Darkness and Dawn; Or, Scenes in the Days of Nero. An Historic TaleFarrar, F. W. (Frederic William)
History
Darkness and Dawn; Or, Scenes in the Days of Nero. An Historic Tale
Farrar, F. W. (Frederic William)
Rome -- History -- Nero, 54-68 -- Fiction
The two ladies presented a strange contrast, not only in their
dress, but in their entire aspect. Agrippina was still arrayed in
the magnificent robes in which she had received her son, and which,
irksome as they were, she had been too weary to lay aside. Pomponia
was in the dark mourning dress which she had worn for so many
years since the death of the friend of her childhood, Julia, the
grand-daughter of Tiberius and mother of Rubellius Plautus. The
tresses of Agrippina, though disarranged, showed the elaborate
care of the ornatrix. Pomponia wore her dark hair, now beginning to
silver, in the simplest bands, and without an ornament. But the chief
difference was in their faces. Pride and cruel determination, as well
as calamity, had left their marks on the noble lineaments of the
daughter of Germanicus; over the calm face of the wife of Plautius it
was evident that the shadows of many a sorrow had been cast, but the
sorrow was irradiated by hope and gladness, and in her eyes was the
sweet light of the Peace of God.
‘Augusta,’ she said, ‘I have come to congratulate you on the defeat
of a nefarious conspiracy. I thought I should find you happier after
many trials. Pardon me if I have thrust myself too presumptuously
upon your sorrow.’
‘Not so,’ said Agrippina. ‘You are always welcome; and more so now
than ever. You sought me not in my hour of prosperity. No one would
come to me in my hour of ruin who did not wish me well.’
‘It is not, I trust, an hour of ruin. The plot against you has been
ignominiously defeated. You may have many happy days in store.’
‘Nay, Pomponia; happiness can never be linked again with the name
of Agrippina. It is a dream. I did not find it in the days of my
splendour; it is little likely that I should find it when all desert
me and I am brought low. I know no one who is happy. We are the
slaves and playthings of a horrible destiny, which is blind and
pitiless and irresistible. Are you happy?’
‘Yes, Augusta, I am happy, though hardly, perhaps, in the sense you
mean. To me, as to all of us, life has brought bitter trials. These
dark robes tell of the loss of one whom I loved as my own soul, and
even at this moment I am threatened with terrible calamity--perhaps
with exile, perhaps with death. On all sides, there are terrors and
anxieties, and the state of society seems to portend catastrophe and
the vengeance of heaven, for wickedness can hardly go to any greater
lengths than now. Yet I am happy.’
‘Oh, that you would give me your secret!’ said the Empress. ‘I can
read character; I can detect the accents of sincerity. These words of
yours are no pompous and hollow Stoic paradox.’
Public-domain text, read in full here on John Shaqi.
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