Darkness and Dawn; Or, Scenes in the Days of Nero. An Historic TaleFarrar, F. W. (Frederic William)
History
Darkness and Dawn; Or, Scenes in the Days of Nero. An Historic Tale
Farrar, F. W. (Frederic William)
Rome -- History -- Nero, 54-68 -- Fiction
Pomponia hesitated. The woman before her was, as she well knew,
steeped in crime from her childhood. Of what avail would it be,
without any of the evangelic preparation, to tell her of Jesus and
the Resurrection? Could there be the remotest possibility of exciting
in her mind anything but contempt by telling her at that moment of
the Cross which was to the Romans something between a horror and a
jest?
‘Agrippina,’ she answered, ‘the day may come when I may tell you more
of the strange secret. It is not mine only; it is meant for all the
world. But it cannot be attained, it cannot be approached, without
humility and repentance for wrong-doing, and the love of virtue, and
of something higher than virtue, and the lifting to heaven of holy
hands.’
‘Alas!’ said Agrippina; ‘you speak to me in a strange language. The
Greek tragedians are always telling us that when blood has fallen to
the ground it has fallen for ever. Can wrong be atoned for? Can guilt
be washed away?’
‘It can,’ said Pomponia, gently; and she longed to speak the words
which lingered in her memory from the letter of Peter of Bethsaida--
‘Redeemed ... with precious blood, as of a lamb without blemish and
without spot, even the blood of Christ.’ But to Agrippina they would
at that time have been simply meaningless.
‘I have heard of the mysteries,’ said the Empress, ‘and of the
taurobolies. Would it be of any avail if I too were to crouch in a
hollow, and let the blood of a bull which has been sacrificed to the
gods drop over me?’
‘It would not,’ said Pomponia. ‘God does not require of us things so
revolting, nor any mere external ceremonies and superstitions. What
that sacred and supreme Majesty requires of us is innocence alone.[64]
Can you not pray to Him, Augusta? You have read Homer, and you know
how the old poet sings about _Atè_, and the _Litai_, the Prayers
which follow in her path.’
‘Atè? Ah! I know that fearful deity,’ groaned Agrippina. ‘She is the
Fury Megæra. I have seen her petrifying face turned towards me. She
is the Harpy Celæno. I have often heard her in the banquet-halls of
the Palatine, and thought of Phineus and his polluted feasts. But
the Prayers--will you not repeat me the lines, Pomponia?’
Pomponia repeated the famous lines of the old bard of Chios:--
‘The gods (the only great and only wise)
Are mov’d by offerings, vows, and sacrifice;
Offending man their high commission wins,
And daily prayers atone for daily sins.
Prayers are Jove’s daughters of celestial race,
Lame are their feet, and wrinkled is their face;
With humble mien, and with dejected eyes
Constant they follow, where Injustice flies.
Who hears these daughters of almighty Jove,
For him they mediate to the throne above;
When man rejects the humble suit they make
The Sire revenges for the daughters’ sake.’[65]
Public-domain text, read in full here on John Shaqi.
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