Darkness and Dawn; Or, Scenes in the Days of Nero. An Historic TaleFarrar, F. W. (Frederic William)
History
Darkness and Dawn; Or, Scenes in the Days of Nero. An Historic Tale
Farrar, F. W. (Frederic William)
Rome -- History -- Nero, 54-68 -- Fiction
‘Alas! they have been strangers to me, those Prayers,’ said
Agrippina; ‘and though you have spoken truth to me, I see that
you have not told me all.’
‘There are times for all things,’ said Pomponia, as she rose to
leave; ‘and perhaps, if you will think of what we have said, the day
may come when you will be able to bear more. Farewell, Augusta; you
need rest and quiet. Pardon me if I have wearied you.’
‘Farewell, Pomponia,’ said the Empress; ‘you are good and true. Your
words have been to me as soft and pure as the falling snow. I know
not whether the Litai of whom Homer speaks may plead for us through
another.’
‘They may.’
‘Then will you ask them to say something which may avert the fury
of Atè from one who, to you, is not ashamed to confess that she is
wretched above all women?’
‘May you find peace!’ murmured the noble lady, as the Empress once
more kissed her, and pressed her to her heart. ‘All may find it who
seek it rightly from the Heavenly Powers.’
CHAPTER XXX
_A PRIVATE TRIAL_
‘Tanto vogl’io che vi sia manifesto,
Pur che mia coscïenza non mi garra,
Che alla fortuna, come vuol, son presto.’
DANTE, _Inf._ XV. 91-93.
Pomponia had incidentally mentioned to Agrippina that she was
threatened by a calamity, and it was indeed a serious one. It was
strange that one so retired in her mode of life, and so entirely free
from rancour and malice, should yet have been the butt of calumny.
Yet such was the case. It was the tribute which vice paid to virtue.
The base mob of Roman matrons avenged themselves on the chaste wife
of the conqueror of Britain for the involuntary shame which they felt
as they contrasted her life with theirs. Her constancy; her silence
amid the universal buzz and roar of gossip and spite; her aloofness
from the cliques and coteries of a scandalous society; her love of
good works; her discountenance of their loose talk and complicated
intrigues; her absence from the games and theatres; the simplicity
of her dress, her home, her manners, her hospitality; the calmness of
her temper, and even the sort of sacred beauty on which time seemed
to make no impression, made her an object of hatred to the Calvia
Crispinillas and the Ælia Catellas of the capital. Her presence among
them was like a perpetual reproach, and they determined, if possible,
to get rid of her. They would have said of her what the wicked say of
the righteous in the Book of Wisdom, that they would lie in wait for
her, because she was ‘clean contrary to their doings, and objected to
their infamy.’
Public-domain text, read in full here on John Shaqi.
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