Darkness and Dawn; Or, Scenes in the Days of Nero. An Historic TaleFarrar, F. W. (Frederic William)
History
Darkness and Dawn; Or, Scenes in the Days of Nero. An Historic Tale
Farrar, F. W. (Frederic William)
Rome -- History -- Nero, 54-68 -- Fiction
Sickened with miseries, Onesimus gradually made his way to Pompeii.
Every street and wall of the bright little Greek town bore witness to
the depths of degradation into which the inhabitants had fallen, and
the youth found that the radiant scene, under the shadow of Vesuvius
and its glorious vineyards by that blue and sparkling sea, was a
garden of God indeed, but, like that of the Cities of the Plain,
awaiting the fire and brimstone which were to fall on it from heaven.
He was specially disgusted because, alien as he was now from all
Christian truth, he saw on the walls of a large assembly-room in
the Street of the Baths a mass of scribblings full of deadly insults
towards the Christians. One in particular offended him, for, by way
of coarse satire on some Christian teacher, it said:--
‘Mulus hic muscellas docuit.’
‘Here a mule taught small flies.’
It was evidently no place for any one who still loved Christianity.
Hurrying from its fascination of corruption, to which he felt it only
too possible that he might succumb, he was for some time reduced to
the very brink of starvation, and was at last driven to live on such
fruits and berries as he could pluck from the trees and hedges. Once,
while he was trying to reach some wild crab-apples in a place by the
side of a little stream, which was overgrown with dense foliage, he
slipped, and fell crashing through the brushwood into the deep and
muddy water which was hidden by the undergrowth. Too weak to rise and
struggle, he could only just support himself by clinging to a bough,
when his cries were heard. A labourer came and rescued him, and
left him sitting in the sunlight to dry his soaking rags. And now
he thought that there was nothing left him but to die, and seriously
meditated whether it would not be best to fling himself into the
green-covered sludge of black water from which he had been rescued,
and so to end his miseries.
A sound arrested him, and, lifting his head, he saw a group of the
eunuch priests of the Syrian goddess approaching along the road, one
of whom shook the jingling sistrum which had attracted his attention.
They were a company of seven, and were men taken from the dregs of
the populace. With them was a stout youth, who rode an ass which
carried their various properties, the chief of which were musical
instruments, and the image of the goddess wrapped in an embroidered
veil.
As they passed they eyed him curiously, and stopped a few paces
beyond him as though for a consultation.
‘A likely youth,’ he heard one of them say, ‘though now he looks thin
and miserable. We have long wanted another servant. Would not he do
for us, Philebus?’
‘Probably a runaway slave,’ said another.
‘What does that matter to us?’ said Philebus. ‘We can say that he
called himself free-born, and told us that he ran away from the
cruelties of a step-mother--or anything else we choose to invent.
I will go and question him.’
Public-domain text, read in full here on John Shaqi.
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