Darkness and Dawn; Or, Scenes in the Days of Nero. An Historic TaleFarrar, F. W. (Frederic William)
History
Darkness and Dawn; Or, Scenes in the Days of Nero. An Historic Tale
Farrar, F. W. (Frederic William)
Rome -- History -- Nero, 54-68 -- Fiction
Among her slaves were some of the Chaldæai and casters of horoscopes,
so common in those times, in whom she placed a superstitious
confidence. Her first care was to consult them, and she determined
to take no overt step until they should announce that the auspicious
hour had come. She then hastened to the chamber where Xenophon still
kept his watch beside the man whom he had murdered. He kept that
watch with perfect indifference. His was a soul entirely cynical and
atheistic; greedy of gain only, case-hardened by crime. The bargain
between him and the Empress was perfectly understood between them.
Enormous wealth would be the price of his silence and success; death
would punish his failure.
There was nothing to be seen but the dead form covered from head to
foot by a purple coverlet.
She pointed to it. ‘He must still be supposed to be alive,’ she said.
‘The Chaldæans say that the omens are still inauspicious. How are we
to keep the secret for some hours longer?’
‘Asclepiades teaches,’ answered the physician, with the scarcely
veiled sneer which marked his tone of voice, ‘how good it is that
the pains of dying men should be dissipated by comedy and song. The
Empress can order some comedians to play in the adjoining chamber.
If they cannot avail the divine Claudius, they will at least serve
to amuse my humble self, and I have now been in this room for many
hours.’
‘Does any one suspect that he is dead?’
‘No, Augusta,’ he answered. ‘To dissipate the too suspicious silence,
I have occasionally made curious sounds, at which I am an adept. They
will delude any chance listener into the belief that my patient is
still alive.’
For a moment her soul was shocked by the suggestion of sending for
the mummers. But she saw that it would help to prevent the truth from
leaking out. For one instant she lifted the purple robe and looked on
the old man of sixty-four, who had thus ended his reign of fourteen
years. She dropped it over the features, which, in the majesty of
death, had lost all their coarseness and imbecility, and showed the
fine lineaments of his ancestors. The moment afterwards she was sorry
that she had done it. That dead face haunted all her after life.
Leaving the chamber without a word, she gave orders that, as the
Emperor was now awake, and had asked for something to amuse him, some
skilled actors of comedy should be sent for to play to him from the
adjoining room. They came and did their best, little knowing that
their coarse jests and riotous fun did but insult the sacred majesty
of death. After an hour or two Xenophon, who had been laughing
uproariously, came out, thanked them in the Emperor’s name, and
dismissed them.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account