Darkness and Dawn; Or, Scenes in the Days of Nero. An Historic TaleFarrar, F. W. (Frederic William)
History
Darkness and Dawn; Or, Scenes in the Days of Nero. An Historic Tale
Farrar, F. W. (Frederic William)
Rome -- History -- Nero, 54-68 -- Fiction
beasts by rails, which had been finished off with amber and silver,
but did not look very strong. The brute, which had thus shown ‘a wild
trick of its ancestors,’ was soon overpowered, for the keeper was
skilled in the use of the lasso. But this incident did but whet
the appetite of the spectators for blood. They shouted to Pedanius
to begin the _venatio_ and the wild-beast fights which formed the
morning show. No expense had been spared to sate the insatiable
cruelty of the mob. For an hour or two longer they were gratified
with a prodigality of anguish. Ostriches and giraffes were chased
round and round, and shot to death with arrows. Wild beasts fought
with tame beasts and with wild beasts, and beasts with men. Bears,
lions, and tigers were worried and hacked by armed _bestiarii_, and
sometimes a _bestiarius_ in his turn lay rolling on the sand, crushed
by a bear or torn by the fierce struggles of a panther. Lastly,
some unskilled, defenceless criminals were turned loose into the
amphitheatre amid a fresh batch of animals, infuriated by hunger
and mad with excitement. None of the poor weaponless wretches--_sine
armis, sine arte, seminudi_--could stand up for a moment against
the bear’s hug or the tiger’s leaps. They stood in attitudes of
despairing stupefaction, watching the horrible rolling gait of the
bears, or the crouching of the tigers as they glared on them with
yellow eyeballs and bristling manes, lashing their haunches with
their tails, and at last, with a hoarse carnivorous roar, curving
their backs for the final spring. The _venatio_ degenerated into a
mere butchery meant to fill up the time.[78]
All this was regarded as child’s play in comparison with the luxury
of courage, skill, and massacre which was expected in the afternoon;
but it was already too much for one of the spectators. This was
the philosophic thaumaturge Apollonius of Tyana, who happened to be
paying a brief visit to Pætus Thrasea. Thrasea had been compelled to
be present, because he knew that everything which he did or failed to
do was watched with deadly suspicion; and Apollonius had accompanied
his host from a desire to see the strange animals which were to be
exhibited. At first he had looked on with real delight and interest;
but when he saw the noble creatures wantonly killed, his Greek
instinct for the beautiful was disgusted. He had been shocked by
the callousness with which the vast audience had recovered from its
momentary fright when the two poor boys had been slain by the lions;
but when he saw them shouting with delight while the arena was wet
with the blood of mangled men and tortured beasts, he turned his back
on the amphitheatre with disdain and horror, and whispered in the ear
of his companion, ‘Rome is a Bacchante rolling in blood and mud.’
Public-domain text, read in full here on John Shaqi.
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