Darkness and Dawn; Or, Scenes in the Days of Nero. An Historic TaleFarrar, F. W. (Frederic William)
History
Darkness and Dawn; Or, Scenes in the Days of Nero. An Historic Tale
Farrar, F. W. (Frederic William)
Rome -- History -- Nero, 54-68 -- Fiction
Of all these scenes Onesimus and Glanydon had been spectators;
and such spectacles were little calculated to dispel the gloom of
dreadful anticipation which hung over the coming afternoon. They
had marched in the procession of gladiators which formed part of
the opening pomp, and from behind a lattice-work of one of the
dressing-rooms they could see all that was going on. But now the rays
of the early summer were pouring a dazzling flood of warmth and light
which penetrated even through the awning. The vast audience required
a little rest. The awning was sprinkled with perfumes. Saffron-water
fell in a delicate dew upon the hot and tired multitude. The passages
between the seats were flushed with pure cold water. Refreshments
and baskets of fruit were freely handed about, and while they were
enjoying the light mid-day meal every one chatted freely with his
neighbour.
‘Who are those in the _podium_ with the Emperor?’ asked a provincial
from Gaul of the young Spaniard who sat beside him.
‘Don’t you know?’ said Martial, for he it was. ‘That well-dressed,
handsome, smiling man is Petronius. The tall senator with the
intellectual face is Seneca. He is a countryman of whom I am proud.’
‘Seneca!’ said the provincial; ‘the greatest man of his age! Only to
think that I have seen Seneca!’
Martial only smiled. Such enthusiasm was refreshing.
‘The young man with black hair who sits just behind him with a frown
on his forehead is his nephew Lucan, the poet. The king in purple
robe is Herod Agrippa II., with his lovely sister Berenice by his
side. Just watch the flash of that diamond on her neck. That splendid
fellow with fair hair, all smiles, who has grace and beauty in every
movement, is the actor Paris, and beside him is his friend and rival,
Aliturus. The exquisite, who looks as if he would be paralyzed by the
weight of his own rings, is Senecio.’
‘And that lady with her face half veiled, so that you only catch a
glimpse now and then of her loveliness?’
‘That is Poppæa, Otho’s wife. No wonder Nero loves her better than
that pale sad lady who sits among the six vestals.’
‘Yet she, too, is young and beautiful. Who is she?’
‘The Empress.’
‘Octavia, the daughter of Claudius? May the gods bless her!’
The provincial gazed long at Octavia.
‘But now tell me,’ he continued, ‘who is that purpureal personage,
with large rings, scarlet boots, and a very white forehead?’
Martial laughed aloud. ‘His forehead may well be white,’ he said. ‘Do
you know what it is made of?’
‘Made of?’ asked the young Gaul in astonishment.
‘Yes. It is made of sticking-plaster! If you took it off, what do you
think you would see under it?’
‘His skin, I suppose.’
‘His skin, yes! But with three letters on it.’
‘What three letters?’
‘_O Simplicitas!_’ said Martial; ‘the three letters F. U. R.’
‘Is he a thief?’ asked the Gaul. ‘Then why do they let him sit there
among the knights?’
‘Because his thieving has made him rich,’ answered Martial.
Public-domain text, read in full here on John Shaqi.
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