Darkness and Dawn; Or, Scenes in the Days of Nero. An Historic TaleFarrar, F. W. (Frederic William)
History
Darkness and Dawn; Or, Scenes in the Days of Nero. An Historic Tale
Farrar, F. W. (Frederic William)
Rome -- History -- Nero, 54-68 -- Fiction
Agrippina, after having ordered the details of the funeral procession,
finally dismissed her murdered husband from her thoughts, and gave
directions that her son, on his return to the Palace, should be
received with a fitting welcome. She summoned all the slaves and
freed men of that mass of dependants which made of the Palace not
a household, but a city. They were marshalled in throngs by their
offices and nationalities in the vast hall. They were arrayed in
their richest apparel, and were to scatter flowers and garlands under
the feet of the new Emperor as he advanced. The multitudes of the
lowest and least distinguished slaves were to stand in the farther
parts of the hall; next to them the more educated and valuable
slaves, and next to them the freedmen. In the inner ring were placed
all the most beautiful and accomplished of the pages, their long and
perfumed curls falling over their gay apparel, while some who had
the sweetest voices were to break out into a chorus of triumphal
songs. Then Nero was to be conducted to the bath, and afterwards a
sumptuous banquet was to be served to a hundred guests. There was but
a short time for these preparations; but the wealth of the Cæsars was
unbounded, and their resources inexhaustible, and since the slaves
were to be counted by hundreds, and each had his own minute task
assigned to him, everything was done as if by magic.
The afternoon was drawing in when new bursts of shouting proclaimed
that, through the densely crowded streets, in which every lattice
and balcony and roof was now thronged with myriads of spectators,
Nero was returning from the Curia to the Palace with his guard of
Prætorians.
Walking between the two Consuls, with Burrus and Seneca attending him
in white robes, followed by crowds of the greatest Roman nobles, and
by the soldiers clashing their arms, singing their rude songs, and
exulting in the thought of their promised donative, the young ruler
of the world returned. The scene which greeted him when the great
gates of the Palace were thrown open was gay beyond description.
The atrium glowed in zones of light and many-coloured shadow. The
autumnal sunbeams streamed over the gilded chapiters, glancing from
lustrous columns of yellow and green and violet-coloured marble, and
lighting up the open spaces adorned with shrubs and flowers. The
fountains were plashing musically into marble and alabaster basins.
Between rows of statues, the work of famed artificers, were crowded
the glad and obsequious throngs of the rejoicing house.
Public-domain text, read in full here on John Shaqi.
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