Darkness and Dawn; Or, Scenes in the Days of Nero. An Historic Tale — John Shaqi
Darkness and Dawn; Or, Scenes in the Days of Nero. An Historic TaleFarrar, F. W. (Frederic William)
History
Darkness and Dawn; Or, Scenes in the Days of Nero. An Historic Tale
Farrar, F. W. (Frederic William)
Rome -- History -- Nero, 54-68 -- Fiction
Her face was the index of a soul which only used the meaner passions
as aids to the gratification of the grander ambitions. No one who
saw her, as she leant back in her easy half-recumbent attitude, could
have doubted that he was in the presence of a lady born to rule, and
in whose veins flowed the noblest blood of the most ancient families
of Rome. She was thirty-seven years old, but was still in the zenith
of her imperious charms, and her figure had lost none of the smooth
and rounded contour of youth. Her features were small and delicate,
the forehead well shaped, the eyes singularly bright, and of a light
blue, under finely marked eyebrows. Her nose was slightly aquiline,
the mouth small and red and beautiful, while the slight protrusion
of the upper lip gave to it an expression of decided energy. Her hair
was wavy, and fell in multitudes of small curls over her forehead and
cheeks, but was confined at the back of the head in a golden net from
which a lappet embroidered with pearls and sapphires fell upon her
neck, half concealed by one soft and glowing tress.
She sat there deep in thought, and her mind was not occupied with
the exquisite image of herself reflected from the silver mirror which
hung bright and large upon the wall before her. Her expression was
that which she wears in her bust in the Capitol--the expression of
one who is anxious, and waits. One sandalled foot rested on the ankle
of the other, and her fair hands were lightly folded on her robe.
That robe was the long _stola_ worn by noble matrons. It swept down
to her feet and its sleeves reached to the elbows, where they were
fastened by brooches of priceless onyx, leaving bare the rest of her
shapely arms. Two large pearls were in her ears, but she had laid
aside her other ornaments. On a little marble abacus beside her lay
her many-jewelled rings, her superb armlets set with rubies, and the
_murenula_--a necklace of linked and flexile gold glittering with
gems--which had encircled her neck at the banquet from which she just
had risen. Her attitude was one of rest; but there was no rest in the
bosom which rose and fell unequally with her varying moods--no rest
in the countenance with its look of proud and sleepless determination.
She was alone, but a frequent and impatient glance showed that she
expected some one to enter. She had dismissed her slaves, and was
devoting her whole soul to the absorbing design for which at that
moment she lived, and in the accomplishment of which she persuaded
herself that she was ready to die. That design was the elevation of
her Nero, at the first possible moment, to the throne whose dizzy
steps were so slippery with blood.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account