summers they never run dry--the mother-breast of Dartmoor has always
ample nourishment. Though there is a lessening in the body of the
rivers, and perhaps a surface-drought of the bogs, the moors are never
really parched; drovers from the Eastern counties sometimes bring
their flocks hither in a summer of great heat, to feed on Dartmoor
turfs when their own home-pastures would be arid. Yet the central moor
is more like a desolate waste than a pasture. Its rugged turfy surface
is scattered with small and large fragments of granite, sometimes
"clitters" of weather-worn boulders, sometimes masses that look as
though prehistoric giants had been playing at bowls. Often strange and
fantastic in shape, as twilight steals on, or the weird gloom of
moorland fog, they seem to become animated; they are pixies, brownies,
the ghosts of old vanished peoples; wherever we gaze they start before
us; prying figures seem to be hiding behind them, ill-wishing us, or
eager to lure us into desolate solitudes. The wind sighs with solitary
tone through the rough grasses and tussocks; at this height its
evening breath is chill even in summer. Some of the stones are
shattered monuments of dead men; some perhaps had a religious
significance that the world has forgotten. The loneliness of the moor
is often a charm, but it can become oppressive and terrible if our
mood is not buoyant. In places like these the strongest mind might
yield to superstition. We seem to be in a region of the primal world,
where ploughshare has never passed nor kindly grain sprung forth for
the nourishment of man.
[Illustration: WISTMAN'S WOOD
(_Page 13_)]
Public-domain text, read in full here on John Shaqi.
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