Such is Dartmoor, one of the few remaining tracts of uncultivated England; a region not easy to tame, offering small reward to the farmer, but rich repayment to the lovers of beauty, wildness, antiquity. There is nothing quite like it elsewhere, unless it be the Bodmin Moors of Cornwall, where the same granite asserts itself again. There is loveliness of a different sort on the moors of Yorkshire and around the Peak--on the Wiltshire, Dorset, and Sussex Downs, on the high lands or in the New Forest of Hampshire, and at spots like Hindhead in Surrey. There is still a different beauty in the fen country and the land of the Broads. But Dartmoor has its own character, which it does not surrender to a casual acquaintance; it has a reserve and depth of individuality, to be won only by slow confidence. There are strong characteristics also among the moor folk; but here a change has been in progress. It is useless to come now expecting to find a superstitious and credulous peasantry. When a district is haunted by tourist and artist, when cars and brakes unload crowds of chattering sightseers, something of the outside world comes with them; and modernism has other more subtle avenues of approach. The cheap daily paper penetrates to these solitudes, and brings with it other things that are cheap. It may leave its readers still credulous and still ignorant; but the nature of the ignorance and the credulity have altered--and perhaps not wholly for the better. There is loss as well as gain. The old traditions have passed from the minds of the people to the guidebooks. Pixies and wish-hounds and spells are now usually only mentioned in jest where they were formerly whispered of in grim earnest. But the beauty of the moorland changes not, and it is its beauty that is our real concern. We can spare the traditions while the loveliness remains. End of the Project Gutenberg EBook of Dartmoor, by Arthur L. Salmon