Darwin, Charles, 1809-1882; Naturalists -- England -- Biography
In one field quite remote from what is usually considered natural
science, that of physiognomy and expression, Darwin’s observation
is especially interesting, though of course he connected this line
of research, as so many others, with his general scientific theory.
His book on ‘The Expression of the Emotions’ is one of the most
entertaining and profitable of all for the general reader, and it is
instructive to note, how early, how persistently, and how faithfully
he collected memoranda on this comparatively collateral issue. The
use of what was immediately about him, of his own personal experience
in daily living, is especially significant in this regard. For the
study of expression he felt that unconsciousness in the subject was
a prime requisite. Hence the study of infants, who were perfectly
indifferent to your investigations, was peculiarly profitable,
and almost from the moment his children were born, Darwin began
to make notes on their expressions of pain and pleasure, all the
little subtle indications of desire and need, which mothers use
instinctively but which fathers are not commonly apt to register as
scientific data. The curious paper, published in _Mind_, called ‘The
Biography of a Child,’ gives many of Darwin’s notes on this subject,
and repeated references in ‘The Expression of the Emotions’ show what
fruitful use he made of those notes at a later period. The minuteness
with which he observed and reflected is well shown in this passage
on childrens’ crying: ‘I ought to have thought of crying children
rubbing their eyes with their knuckles, but I did not think of it,
and cannot explain it. As far as my memory serves, they do not do so
whilst roaring, in which case compression would be of no use.... I
wish I knew more about the knuckles and crying.’[17]
The observation not only records the larger and more violent
manifestations of passion, but is constantly on the watch for those
trifling signs of feeling which appear and flit away in trivial
social intercourse. Take this account of an animated conversation:
‘Another young lady and a youth, both in the highest spirits, were
eagerly talking together with extraordinary rapidity; and I noticed
that, as often as the young lady was beaten, and could not get out
her words fast enough, her eyebrows went obliquely upwards, and
rectangular furrows were formed on her forehead. She thus each time
hoisted a flag of distress; and this she did half-a-dozen times in
the course of a few minutes.’[18]
Public-domain text, read in full here on John Shaqi.
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