Most naturalists recognize varieties of species; and many, like De
Candolle, have come to conclude that varieties of the highest grade, or
races, so far partake of the characteristics of species, and are so far
governed by the same laws, that it is often very difficult to draw a clear
and certain distinction between the two. Agassiz will not allow that
varieties or races exist in Nature, apart from man's agency.
Most naturalists believe that the origin of species is supernatural, their
dispersion or particular geographical area, natural, and their extinction,
when they disappear, also the result of physical causes. In the view of
Agassiz, if rightly understood, all three are equally independent of
physical cause and effect, are equally supernatural.
In comparing preceding periods with the present and with each other, most
naturalists and palaeontologists now appear to recognize a certain number of
species as having survived from one epoch to the next, or even through more
than one formation, especially from the Tertiary into the post-Tertiary
period, and from that to the present age. Agassiz is understood to believe
in total extinctions and total new creations at each successive epoch, and
even to recognize no existing species as ever contemporary with extinct
ones, except in the case of recent exterminations.
These peculiar views if sustained will effectually dispose of every form of
derivative hypothesis.
Returning for a moment to De Candolle's article, we are disposed to notice
his criticism of Linnaeus's "definition" of the term species (Philosophia
Botanica, No. 157): "Species tot numeramus quot diversae formae in
principio sunt creatae"-- which he declares illogical, inapplicable, and
the worst that has been propounded. "So, to determine if a form is
specific, it is necessary to go back to its origin which is impossible A
definition by a character which can never be verified is no definition at
all."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account