"Diana? With her bow and arrows alone she used to account for a good
many; and later, as she learned more evil arts, there was no record
kept. She has been a most evil goddess, yet men worship her."
"Why? A goddess that kills a man for seeing her is a fiend! And her
maidens may not see a man, either. It is a strange life she leads, for a
true woman. She must be other than female."
"That could be, Druga," murmured Eos.
* * * * *
The morning sun glittered from the streams and from the little glass
foot-bridge that shimmered magically across and up in a great arc to the
door in the side of the cliff. Eos sighed at the beauty.
"This wife of yours was a housekeeper, I note, with an eye for art."
"Her art and her work were always first, Eos. She was an uncommon hard
woman to get used to, but she made a man of me."
"That I can see," agreed Eos, and Druga looked at her twice to know what
she meant. "You owe everything to Feronia, according to you, and nothing
to yourself."
"Very little, Goddess. But I do not exaggerate, she was...."
"Well, never mind it now. I grow weary of Feronia this and Feronia that.
I will judge for myself whether she understood you or no."
"She was extremely understanding," said Druga.
* * * * *
Days passed, and much hard work, Eos studying the laboratory notes of
Feronia, and Druga himself reading them over and trying to think of some
way he himself might strike back at their mutual enemy.
"Nothing that she has developed can be used directly against Diana
without her surviving to fight back. This would have been fatal to
Dionaea, but after all, as you have said--she is dead."
"She ought to be dead, I cut her head off!"
"That usually does the trick."
They decided to leave the laboratory the next morning, and that evening
Druga picked up the stone statue of his Feronia and carried it carefully
aboard the disk, placing her there--one woman among the thousand-odd
dead heroes of the long dead past. Druga sadly made a place for her at
the head of the board. He did not think of it, but Feronia now sat where
Eos herself had spent many a sad hour, sitting and gazing at her dead
lovers.
With the stone Feronia gone, the vast and multiplex-walled chambers of
mystery and magic assumed a new atmosphere, and Druga found himself
talking to Eos that night as if he was not a man whose heart was dead.
She sat in the place from which he had removed the black stone body of
Feronia, and Druga could not help but compare the glowing life of her
with the dead thing that had sat there.
Public-domain text, read in full here on John Shaqi.
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