Daughters of Belgravia; vol. 1 of 3Fraser, Alexander, Mrs.
General
Daughters of Belgravia; vol. 1 of 3
Fraser, Alexander, Mrs.
Fiction
She is an enigma to her sisters, whose promising education has to a
certain extent reduced ideas and feelings within the radius of
“propriety,” and taught them, at any rate, the eleventh
Commandment--that all Belgravia knows,
“Thou shalt not be found out.”
“Can anything--anything make you really happy, Gabrielle?” Trixy had
asked one day, years ago, when she and her two sisters had enjoyed, to
their heart’s content, a big box at Drury Lane, and a pantomime with a
transformation scene that had worked up their young minds into a fever
of excitement, and Gabrielle had sat through it all without a change on
her dark face.
“Happy,” she had said, “can anything give _real_ happiness? Of happiness
in a positive state I knew nothing, my dear properly-brought-up young
sister. I am only able to make my comparison by a greater or lesser
feeling of misery. I dare say I often shock you by my sentiments, but
anyone who has been kicked about like a football in this world, as I
have, is not likely to look at things in the same light as you
Belgravian girls. I believe you all regard with suspicion the poor wight
for whom life hasn’t been all _couleur de rose_, and think it a shocking
instance of depravity of human nature if one should not be intensely
content in such a remarkably pleasant world.”
“Where have you learned such a queer way of thinking, Gabrielle?” Zai
and Baby demanded in a breath.
“Where, indeed?” Gabrielle was not going to say. _Pas si bête!_ She
averts her head and holds her peace, and is quite sharp enough to know
that to the little, pink, unsullied ears, it would not do to whisper the
secrets of the past, when, almost a gutter _gamin_, she had picked up
notions of life and its thousand joys and ten thousand miseries. A
little red and white _pierrotte’s_ garb, in the rollicking mad Carnival
time--a gaudy tinselled box of cheap and nasty bon-bons--a fragment of
flimsy, soiled, but flaring ribbon--or a battered artificial flower to
deck her coal-black plaits. These pretty well had been her catalogue of
joys, but the miseries were just countless in the bare and squalid room
_au cinquième_ among the roofs and the sparrows--a mother always
meretricious in her youth and beauty, but absolutely awful with faded
cheeks and haggard eyes, dying the death of a daughter of Heth--without
one prayer on her pallid mouth--without one hope in her reckless breast.
Then--the woeful absence of bread, the continual presence of drink.
For can there be a spectacle more sickening than a drunken woman--dead
for the nonce to shame and disgrace; the idiotic glare in the eye, the
foolish simper on the grinning lips, the flow of words that pour
unchecked from a debased mind?
When Gabrielle’s memory conjures up all this she closes her black eyes
tightly to try and shut out the horrible past, and yet she loves her
Bohemia still, and hates Belgravia, save the one particular spot in it
where Lord Delaval lives and moves, and has his being.
Public-domain text, read in full here on John Shaqi.
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