Davenport Dunn, a Man of Our Day. Volume 2 (of 2) — John Shaqi
Davenport Dunn, a Man of Our Day. Volume 2 (of 2)Lever, Charles
General
Davenport Dunn, a Man of Our Day. Volume 2 (of 2)
Lever, Charles
Aristocracy (Social class) -- Great Britain -- Fiction; Capitalists and financiers -- Fiction
“I wish any one would tell me whether I stand to win or not by that
book,” exclaimed Beecher, as he stood there alone, nonplussed and
confounded. “Would n't she make a stunning actress! By Jove! Webster
would give her a hundred a week, and a free benefit!” And with this
he went off into a little mental arithmetic, at the end of which he
muttered to himself, “And that does not include starring it in the
provinces!”
With the air of a man whose worldly affairs went well, he arranged his
hair before the glass, put on his hat, gave himself a familiar nod, and
went out.
CHAPTER IV. LAZARUS, STEIN, GELDWECHSLER
The Juden Gasse, in which Beecher was to find out the residence of
Lazarus Stein, was a long, straggling street, beginning in the town and
ending in the suburb, where it seemed as it were to lose itself. It was
not till after a long and patient search that Beecher discovered a small
door in an old ivy-covered wall, on which, in irregular letters, faint
and almost illegible, stood the words, “Stein, Geldwechsler.”
As he rang stoutly at the bell, the door opened, apparently of itself,
and admitted him into a large and handsome garden. The walks were
flanked by fruit-trees in espalier, with broad borders of rich flowers
at either side; and although the centre spaces were given up to the
uses of a kitchen garden, the larger beds, rich in all the colors of the
tulip and ranunculus, showed how predominant was the taste for flowers
over mere utility. Up one alley, and down another, did Beecher saunter
without meeting any one, or seeing what might mean a habitation; when,
at length, in a little copse of palm-trees, he caught sight of a smalt
diamond-paned window, approaching which, he found himself in front of
a cottage whose diminutive size he had never seen equalled, save on
the stage. Indeed, in its wooden framework, gaudily painted, its quaint
carvings, and its bamboo roof, it was the very type of what one sees
in a comic opera. One sash of the little window lay open, and showed
Beecher the figure of a very small old man, who, in a long dressing-gown
of red-brown stuff, and a fez cap, was seated at a table, writing. A
wooden tray in front of him was filled with dollars and gold pieces in
long stately columns, and a heap of bank-notes lay pressed under a heavy
leaden slab at his side. No sooner had Beecher's figure darkened the
window than the old man looked up and came out to meet him, and, taking
off his cap with a deep reverence, invited him to enter. If the size of
the chamber, and its curious walls covered over with cabinet pictures,
might have attracted Beecher's attention at another moment, all his
wonderment, now, was for the little man himself, whose piercing black
eyes, long beard, and hooked nose gave him an air of almost unearthly
meaning.
“I suppose I have the honor to speak to Mr. Stein?” said he, in English,
“and that he can understand me in my own tongue?”
“Yaas,--go on,” said the old man.
Public-domain text, read in full here on John Shaqi.
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