"Is he?" she cried. "Do you really think he will come home, Davy?"
"Didn't he tell me so?" I returned haughtily. "And besides, what would
he stay away any longer for?"
Still Penelope was inclined to doubt. She knew that the morning's
strange events had brought her father into great trouble, and she could
not believe that a vain search for him would satisfy his enemies. Two
weeks, she thought, would suffice to wear them out, but two weeks in
her small mind was an eternity when it was to be faced without him.
"Oh, Davy, I wish he hadn't done it," she cried. "If he hadn't shot
Mr. Lukens, then he wouldn't have to run away, would he?"
"That was just a mistake," I replied, as though shooting constables
were quite a favorite sport where I lived. "He told me particular he
didn't mean it, but having done it, and they not understanding that he
didn't mean it, he kind of had to get out till things blowed over."
"Didn't he do wrong to shoot Mr. Lukens?"
"Wrong?" My tone expressed the greatest astonishment at such an idea.
"Why, Penelope, if I was him I'd have done exactly the same
thing--exactly."
My approval of her father's act was a great consolation to her. The
pressure of her encircling arms made me gasp, and there was a note of
gratitude in her voice. "Oh, Davy, I know you would; you are so brave."
"And I'll take care of you, Penelope," I said, quite as though I
seconded her approval of my courage and had forgotten that there were
such things as rattlesnakes. "As long as you are with me you needn't
be afraid of anything."
Nathan's pace was quieter and steadier, and being secure on his back I
felt capable of any heroism. We had passed the worst part of the road.
It was broader, the trees parted overhead, letting in the sunshine, and
danger never seems so near when one moves in the bright day; so my
heart grew lighter, and, had I known the words of any rollicking song,
I should have sung, like James, but lacking these I had recourse to
whistling. Nerves which had been set on edge by the rifle's report,
the fumes of smoke, the cries of pain and fright, were quieted first by
long-drawn, melancholy notes, and then I swung into a bold trilling,
more suited to my adventurous spirit, throwing back my head, extending
my lips heavenward, addressing my melody to the sky. Pausing,
exhausted, I expected to hear from behind me some expression of
astonishment and pleasure at my birdlike song. Instead there was only
a muffled sobbing.
"Little 'un," I said in a chiding voice, "you hadn't otter cry when I'm
taking care of you. There's nothing to be afraid of. Why, we're going
home."
Public-domain text, read in full here on John Shaqi.
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