Cicatrizing is practised more or less over the whole of West Central Africa. In some parts like the Bangalla and Equatorial regions of the Congo, the patterns are extremely elaborate and involve much patient labour on the part of the artist and prolonged suffering by the individual. [Illustration: THE SWASTIKA CICATRICE.] [Illustration: THE OYSTER SHELL CICATRICE.] Cicatrizing is often confounded with tattooing, but the latter process is entirely different, and is of course most largely in vogue amongst the Maoris and seafaring men. The word cicatrization is derived from the French medical term which designates the scars left by a healed wound and implies a raised portion of the flesh, whereas tattooing is an indentation coupled with the insertion of indelible dyes. Strangely enough the Baluba tribes south of the Congo tattoo themselves, and in this respect are unique in West Africa. Both men and women readily subject themselves to the cicatrizing knife, but generally speaking women are more liberally marked than men. In the Bangalla regions of the Congo, the facial markings resemble the surface of a coarse rasp, whilst the women content themselves with large shell patterns on the lower part of the stomach. Along the main Congo and some of the tributaries, the marking which finds most favour is the “coxcomb” in the centre of the forehead; this is sometimes cut quite deeply. The hinterland tribes of the Equatorial rivers almost without exception adopt the oyster shell pattern just below the temple, but the women, in addition, are prodigally marked with “knobs,” small “oyster shells” and “bead strings” all over the body, particularly on the thighs. Amongst the Batetela, the forearm is usually covered with a pattern identical with the Cornish “one and all” motto, often also with a sunflower pattern running from the navel up to the shoulder, sometimes to the right, but more often to the left. In the Kasai territories there is first the one general cicatrice imposed on the people by the historic northern conqueror Wuta, a “white” chieftain of prodigious valour and energy, who, apparently more than five hundred years ago, swept through the whole region founding new dynasties and placing the tribes under tribute of soldiers and money. This hustling personage, it is said, reached what is now Rhodesia, but so great was, and is, the fear of his spirit that everyone to-day bears his cicatrice. The Bakuba, Bashilele, Baketi, Bushongos and Lulua, all bear their distinctive marks, many of the women having the whole thigh covered with a “herring bone,” and the men carrying a mark similar to the Grecian “key” pattern. In the Portuguese Enclave and the Mayumbe territory of the Congo, the whole of the back is frequently covered by a single pattern and on the back of one woman we found a marking which is clearly the Swastika. [Sidenote: THE ARTIST IN BLOOD]