Humorous stories; Reporters and reporting -- Fiction; Women authors -- Fiction
I’m spoiled for sewing bees and church sociables and afternoon bridges.
A hunger for the city is upon me. The long, lazy summer days have
slipped by. There is an autumn tang in the air. The breeze has a touch
that is sharp.
Winter in a little northern town! I should go mad. But winter in the
city! The streets at dusk on a frosty evening; the shop windows
arranged by artist hands for the beauty-loving eyes of women; the rows
of lights like jewels strung on an invisible chain; the glitter of
brass and enamel as the endless procession of motors flashes past; the
smartly-gowned women; the keen-eyed, nervous men; the shrill note of
the crossing policeman’s whistle; every smoke-grimed wall and pillar
taking on a mysterious shadowy beauty in the purple dusk, every
unsightly blot obscured by the kindly night. But best of all, the
fascination of the People I’d Like to Know. They pop up now and then in
the shifting crowds, and are gone the next moment, leaving behind them
a vague regret. Sometimes I call them the People I’d Like to Know and
sometimes I call them the People I Know I’d Like, but it means much the
same. Their faces flash by in the crowd, and are gone, but I recognize
them instantly as belonging to my beloved circle of unknown friends.
Once it was a girl opposite me in a car—a girl with a wide, humorous
mouth, and tragic eyes, and a hole in her shoe. Once it was a big,
homely, red-headed giant of a man with an engineering magazine sticking
out of his coat pocket. He was standing at a book counter reading
Dickens like a schoolboy and laughing in all the right places, I know,
because I peaked over his shoulder to see. Another time it was a
sprightly little, grizzled old woman, staring into a dazzling shop
window in which was displayed a wonderful collection of fashionably
impossible hats and gowns. She was dressed all in rusty black, was the
little old lady, and she had a quaint cast in her left eye that gave
her the oddest, most sporting look. The cast was working overtime as
she gazed at the gowns, and the ridiculous old sprigs on her rusty
black bonnet trembled with her silent mirth. She looked like one of
those clever, epigrammatic, dowdy old duchesses that one reads about in
English novels. I’m sure she had cardamon seeds in her shabby bag, and
a carriage with a crest on it waiting for her just around the corner. I
ached to slip my hand through her arm and ask her what she thought of
it all. I know that her reply would have been exquisitely witty and
audacious, and I did so long to hear her say it.
Public-domain text, read in full here on John Shaqi.
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