Humorous stories; Reporters and reporting -- Fiction; Women authors -- Fiction
Here at home with Norah there are no faces in the crowds. There are no
crowds. When you turn the corner at Main street you are quite sure that
you will see the same people in the same places. You know that Mamie
Hayes will be flapping her duster just outside the door of the jewelry
store where she clerks. She gazes up and down Main street as she flaps
the cloth, her bright eyes keeping a sharp watch for stray traveling
men that may chance to be passing. You know that there will be the same
lounging group of white-faced, vacant-eyed youths outside the
pool-room. Dr. Briggs’s patient runabout will be standing at his office
doorway. Outside his butcher shop Assemblyman Schenck will be holding
forth on the subject of county politics to a group of red-faced, badly
dressed, prosperous looking farmers and townsmen, and as he talks the
circle of brown tobacco juice which surrounds the group closes in upon
them, nearer and nearer. And there, in a roomy chair in a corner of the
public library reference room, facing the big front window, you will
see Old Man Randall. His white hair forms a halo above his pitiful
drink-marred face. He was to have been a great lawyer, was Old Man
Randall. But on the road to fame he met Drink, and she grasped his arm,
and led him down by-ways, and into crooked lanes, and finally into
ditches, and he never arrived at his goal. There in that library window
nook it is cool in summer, and warm in winter. So he sits and dreams,
holding an open volume, unread, on his knees. Sometimes he writes,
hunched up in his corner, feverishly scribbling at ridiculous plays,
short stories, and novels which later he will insist on reading to the
tittering schoolboys and girls who come into the library to do their
courting and reference work. Presently, when it grows dusk, Old Man
Randall will put away his book, throw his coat over his shoulders,
sleeves dangling, flowing white locks sweeping the frayed velvet
collar. He will march out with his soldierly tread, humming a bit of a
tune, down the street and into Vandermeister’s saloon, where he will
beg a drink and a lunch, and some man will give it to him for the sake
of what Old Man Randall might have been.
All these things you know. And knowing them, what is left for the
imagination? How can one dream dreams about people when one knows how
much they pay their hired girl, and what they have for dinner on
Wednesdays?
CHAPTER V.
THE ABSURD BECOMES SERIOUS
I can understand the emotions of a broken-down war horse that is
hitched to a vegetable wagon. I am going to Milwaukee to work! It is a
thing to make the gods hold their sides and roll down from their
mountain peaks with laughter. After New York—Milwaukee!
Public-domain text, read in full here on John Shaqi.
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